Technology Tales

Adventures & experiences in contemporary technology

Two versions ago…

26th March 2007

With all the focus that there is on the current version of a long established piece of software, it is often intriguing to see what it was like a few versions back. And it was with that curiosity that I had a look at PhotoShop 7. Needless to say, a lot of the functionality of the current version is there: adjustment layers, saving for the web and so on. That said, I did spot some absences as one would expect. For instance, the file browser, dropped down by a tab on the main interface, had yet to morph into the standalone Adobe Bridge. Another change has been the resampling choices for resizing; there is no sign of the now prevalent bicubic smoothing and bicubic sharpening. On the filters menu, there is no sign of Smart Sharpening, the now recommended sharpening technique that upstages the one time favourite Unsharp Mask. These may appear little things but little things are often the very items that persuade you that an upgrade is a very good idea.

A web development toolbox

23rd March 2007

Having been on a web-building journey from Geocities to having a website with my own domain hosted by Fasthosts, it should come as no surprise that I have encountered a number of tools and technologies over this time and that my choices and knowledge have evolved too. I’ll muse over the technologies first before going on to the tools that I use.

Technologies

XHTML

When I started building websites, HTML 4 was not long in existence and I devoured most if not all of Elizabeth Castro’s Peachpit Visual Quickstart guide to the language within a weekend. Having previously used fairly primitive WYSIWYG tools like Netscape Composer and Claris Home Page, it was an empowering experience and the first edition (it is now on its third) of Jennifer Niederst Robbins’ Web Design in a Nutshell took things much further, becoming something of a bible for a number of years.

When it first appeared, XHTML 1.0 wasn’t a major change from HTML 4, but its stricter more XML-compliant syntax was meant to point the way to the future and semantic markup was at its heart at least as much as it was for HTML 4. XHTML 2.0 is on the horizon and after the modular approach of XHTML 1.1 (which I have never used), it will be interesting to see how it develops. Nevertheless, there is a surprising development in that some people are musing over the idea of having an HTML 5. Let’s hope that the (X)HTML apple cart doesn’t get completely overturned after some years of relative stability. I still bear scars from the browser wars raging in the 1990’s and don’t want to see standards wars supplanting the relative peace that we have now. That said, I don’t mind peaceful progression.

CSS

Only seems to be coming into its own in the last few years and is truly an amazing technology in spite of the hobbles that MSIE places on our ambitions. CSS Zen Garden has been a major source of ideas; I wouldn’t have been able to customise this blog as much as I have without them. I was an early adopter of the technology and got burnt by inconsistent browser support; Netscape 4 was the proverbial bête noir back then, fulfilling the role that MSIE plays today. In those days, it was the idea of controlling text display and element backgrounds from a single place that appealed. Since then, I have progressed to using CSS to replace table-based layouts and to control element positioning. It can do more…

JavaScript

Having had a JavaScript-powered photo gallery before my current Perl-driven one, I can say that I have definitely sampled this ever-pervasive scripting language. Being a client-side language rather than a server-side one, it does place you rather at the mercy of the browser purveyors and it never ceases to amaze me that there is a buzz around AJAX because of this. In fact, the abundance of AJAX cross-browser function libraries is testimony to the need for browser-specific code. Despite my preferences for server-side scripting, I still find a use for JavaScript and its main use for me these days is to dynamically control CSS elements to do such things as control the height of a page element or whether it is shown or not. Apparently, CSS may get some dynamic capabilities in the future and reduce my dependence on JavaScript. In the meantime, Jeremy Keith’s DOM Scripting (Friends of Ed) will prove as much of an asset as it has done.

XML

These days, a lot of the raw data underlying my personal website is stored in XML. I did try to dynamically transform the display of the XML into something meaningful with CSS and XSLT when I first scaled its dizzy heights but I soon resorted to other techniques. Browser support and the complexity of what I required were the major contributors to this. The new strategy involved two different approaches. The first was to create PHP/XHTML pages from the precursor XML offline and this is how I generate the website’s directory pages. The other one is to process the XML as text to dynamically supply an XHTML page as the user visits it; this is the way that the photo gallery works.

Perl

This still powers all of my photo gallery. While thoughts of changing it all to PHP linger, there is a certain something about the Perl language that keeps it there. I suppose it is that PHP is entangled in the HTML while Perl encases the whole business and I am reasonably familiar with its syntax these days which is why it still does a lot of the data processing grunt work that I need.

PHP

PHP is everywhere these days, though it doesn’t attract quite the level of hype that used to be the case. It still appears with its sidekick MySQL in many website applications. Blogging software such as WordPress and content management systems like Drupal, Mambo and Joomla! wouldn’t exist without the pair. It appears on my website as the glue that holds my visitor directories together and is the processing engine of my WordPress blog. And if I ever get to a Drupal element to the site, by no means a foregone conclusion though I am spending a lot of time with it at the moment, PHP will continue its presence in my website scripting as it powers that too.

Applications

Macromedia HomeSite

I have a liking for hand coding, so this does most of what I need. When Macromedia (itself since taken over by Adobe, of course) took over Allaire, HomeSite sadly lost its WYSIWYG capability, but the application still soldiers on even though Dreamweaver offers a lot to code cutters these days. Nevertheless, it does have certain advantages over Dreamweaver: it is a fleeter beast to start up and colour codes Perl syntax.

Macromedia Dreamweaver

There was a time when Dreamweaver was solely a tool for visual web page development, but the advent of Dreamweaver UltraDev added server-side development capabilities to the Dreamweaver family. These days, there is only one Dreamweaver version, but UltraDev’s capabilities still live on in the latest version and I would not be surprised if they were taken further in these database-driven times.

Nowadays, Dreamweaver isn’t an application where I spend a great deal of time. In former times, when my site was made up of static HTML pages, I used Dreamweaver a lot even if its rendering capabilities were a step behind the then-current browser versions. I suppose that it didn’t fit the way in which I worked, but its template-driven workflow would have been a boon back then.

However, my move from a static site to a dynamic one, starting with my photo gallery, has meant that I haven’t used it as much since then. However, with my use of PHP/MySQL components on my site. Its server-side abilities could get the level of investigation that its PHP/MySQL capabilities allow.

Altova XMLSpy Professional

Adding MySQL databases to my web hosting costs money, not a lot but it could be spent on other (more important?) things. Hence, I use XML as the data store for my photo gallery and XML files are pre-processed into XHTML/PHP pages for my visitor directories prior to uploading onto the server.

I use XMLSpy to edit and manage the XML files that I use: its ability to view XML in grid format is a killer feature as far as I am concerned and XML validation also proves very useful; particularly with regard to ensuring that DTD’s and XML files are in step and for the correct coding of XSLT files. There are other features that I need to explore and that would also take my knowledge of the XML further to boot, not at all a bad thing.

Saxon

For processing XML into another file format such as XHTML, you need a parser and I use the free version of Saxon to do the needful, Saxonica offers commercial versions of it. There is, I believe, a parser in XMLSpy but I don’t use it because Saxon’s command line interface fits better into my workflow. This is a Perl-driven process where XML files are read and XSLT files, one per XML file, are built before both are fed to Saxon for transforming into XHTML/PHP files. It all works smoothly and updating the XML inputs is all that is required.

AceFTP

If I were looking for an FTP client now, it would be FileZilla but AceFTP has served me well over the last few years and it looks as if that will continue. It does have some extra features over FileZilla: transfers between remote sites, and scheduling, for example. I have yet to use either but they look valuable.

Hutmil

In bygone days when I had loads of static HTML files, making changes was a bit of a chore if they affected every single file. An example is changing the year on the copyright message on the page footers. Hutmil, which I found on a magazine cover-mounted disc, was a great time saver in those days. Today, I achieve this by putting this information into a single file and getting Perl or PHP to import that when building the page. The same “define once, use anywhere” approach underlies CSS as well and scripting very usefully allows you to take that into the XHTML domain.

Apache

Apache is ubiquitous these days and both the online and offline versions of my site are powered by it. It does require some configuration but it is a very powerful piece of kit. The introduction of 2.2.x meant a big change in the way that configuration files were modularised and while most things were contained in a single file for 2.0.x, the settings are broken up into different files in 2.2.x and it can take a while to find things again. Without having it on my home PC, I would not be able to use Perl, PHP or MySQL. Apart from this, I especially like its virtual site capability; very useful for offline development.

WordPress

My hosting supplier offers blogs on Blogware, but that didn’t offer the level of configuration that I would have liked. It is true that this is probably true of any host of blogs. I can’t speak for Blogger but WordPress.com does have its restrictions too. To make my hillwalking blog fit in with the appearance of my photo gallery, I went popped over to WordPress.org to download WordPress so that I could host a blog myself and have maximum control over its appearance. WordPress supports themes so I created my own and got my blog pages looking as if they are part of my website, rather than looking like something that was bolted on. Now that I think of it, what about WordPress supporting user-created themes? I support that there is the worry of insecure PHP code but what about it?

MySQL

I am between minds on whether this is a technology or a tool. SQL certainly would be a technology standard but I am not so clear on what MySQL would be. In any case, I have classed it as a tool and a very useful one at that. It is the linchpin for my WordPress blogs and, if I go for a content management system like Drupal, its role would surely grow. While I do have a lot of experience with using SAS SQL and this helps me to deal with other varieties, there is still a learning curve with MySQL that gets me heading for a good book and Kofler’s The Definitive Guide to MySQL5 (Apress) seems to perform more than adequately in this endeavour.

Paint Shop Pro

As someone who hosts an online photo gallery, it won’t come as a surprise that I have had exposure to image editors. Despite various other flirtations, Paint Shop Pro has been my tool of choice over the years, but it is now set to be usurped by a member of Adobe’s Photoshop family. Paint Shop Pro does have books devoted to it but it seems that Photoshop gets better coverage and I feel that my image processing needs to be taken up a gear, hence the potential move to Photoshop

Is Photoshop CS3 imminent?

16th March 2007

We have seen the beta come out, an unprecedented move for Adobe, and now we are hearing about the new professional editions of Photoshop: Photoshop CS3 for digital imaging and Photoshop CS3 Extended with tools for processing digital video. Together with Photoshop Lightroom for digital photography and Photoshop Elements for the consumer market, it seems that Photoshop is moving from a single application to becoming a big family of them. Adobe is hosting an online launch for the CS3 suite on March 27th so the appearance on the market of the new Photoshop must be very imminent. In the light of this, I think I’ll hold off on a decision to purchase either Elements 5 or its CS2 until I have tried out the latter’s successor.

Update: I’ve just perused both  .Net’s and Advanced Photoshop’s initial appraisals of Photoshop CS3 and they seemed impressed so it should be worth a look then. Another tempting idea is to have a taste of Lightroom so I went and downloaded the 30-day trial version. I may well have a go with it in my own time; I’m not wanting to install it and let the 30 days run out before I get to use it in anger.

Why are there no savings on buying software using electronic distribution, Adobe?

15th March 2007

If you ever potter over to Adobe’s online software store, a curious anomaly awaits you: electronic download editions of their software are never cheaper than the equivalent boxed versions. In fact, there are cases where the electronic version costs more than the boxed one. One would have thought that ditching the box, the disc(s) and whatever accompanies them would save Adobe money and they would pass this onto you but it does not seem to make its way into the pricing for some reason. Another thing is that selling direct should allow Adobe to undercut retailers and make more money from their software but it is the likes of Amazon that have the better prices. Whatever way you look at it, you have to admit that this pricing model doesn’t make a lot of sense.

More thoughts on learning to use digital imaging software

14th March 2007

If you ever go into a bricks and mortar newsagent and peruse its shelves with an eye out for references to data imaging software, you might find Adobe’s Photoshop as predominant there as it is in the digital imaging world. And the same trend seems to continue in to the bricks and mortar bookshops as well. Online, especially within the vaults of Amazon, it is not as much a matter of what gets stocked as what gets published and my impression is that the bias, if that’s the right word, continues there. That said, I didn’t realise until recently that Elsevier’s Focal Press has been covering Paint Shop Pro, once branded the poor man’s Photoshop, from at least version 7. That discovery, if it had come earlier, may have made a big difference to how I have been using PSP. That said, I have seen some opinions that PSP is easy to use and that may explain the lack of attention from publishers. Future Publishing did put out a monthly guide to PSP but that seems to have disappeared from the shelves and it does lend weight to that argument. Or it could have been Corel’s purchase of JASC that changed things…

Of course, without books and magazines, it is not as easy to see the possibilities and it is here where Photoshop really scores. The digital photography revolution has ensured the software’s escape from the world of computing and the digital arts into photography magazines and beyond. These days, even conventional photography titles feature Photoshop how-to articles. In fact, such is the level of digital content in titles such as Photography Monthly, Practical Photography and Outdoor Photography that you hardly need to pursue the specialist digital photography titles at all.

Speaking of photography, this is and has been my main use of digital imaging technology, be it the scanner that I use for digitising the output of my efforts in film photography or processing RAW files from my digital SLR. I have been using scanners since 1998 and am on my second, a CanoScan 5000F. The colour rendition in the output from its predecessor, a UMAX 1212U, deteriorated to the point where a replacement needed to be sought. As it happened, the Canon proved to be light years ahead of the UMAX, even with the latter operating properly. Incidentally, my first scanning outing was in the then current version of Photoshop (I booked some time on a scanner at the graphics centre of the university I was attending at the time and sneaked in the scanning of a photo with the journal graphic that I needed to do) -- a limited affair, it has to be said -- but I then reverted to things like Corel PhotoPaint and Paint Shop Pro. And PSP was what I was using in the main even after encountering the copy of Photoshop Elements 2 bundled with my EOS 10D. Elements’ cloning capabilities did tempt me though and I did acquire a Focal Press volume on the application but I somehow never took it further.

At the end of last year, Corel and Adobe launch new versions of PSP and Elements, respectively. That got me tempted by the idea of giving the whole business another look, this time in detail. My look at PSP XI regrettably suffered from the lack of time that I could devote to it and seeing what a book on it might have to say. I had more of a chance with Photoshop Elements and came away impressed with the way that it worked. Since then, I have been making my way through Scott Kelby’s latest Elements book and the ideas are building up. At the same time, I have been making good use of a Photoshop CS2 try-out and I am on the horns of a dilemma: do I splash out on CS2, do I get Elements 5 or do I await the now imminent CS3? You’ll notice that PSP doesn’t feature here; the amount of literature pertaining to Photoshop simply is too much to ignore and I have loads more to learn.

Photoshop CS2 workout

8th March 2007

Adobe Photoshop CS2

I am in the process of adding new photos to my online photo gallery at the moment and the exercise is giving my Photoshop CS2 trial version a good amount of use. And the experience also adding a few strings to my bow in graphics editing terms, something that is being helped along by the useful volume that is The Focal Easy Guide to Photoshop CS2.

The most significant change that has happened is that to my workflow. Previously, it took the following form:

  • Acquire image from scanner/camera
  • For a camera image, do some exposure compensation
  • Create copy of image in software’s own native file format (PSPIMAGE/PSP for Paint Shop Pro and PSD/PSB for Photoshop)
  • Clean up image with clone stamp tool: removes scanner artefacts or sensor dust from camera images; I really must get my EOS 10D cleaned (the forecast for the coming weekend is hardly brilliant to I might try sending it away).
  • Save a new version of the image following clean-up.
  • Reduce the size of the digital camera image to 600×400 and create a new file.
  • Boost colours of original image with hue/saturation/lightness control; save new version of file.
  • Sharpen the image and save another version.
  • For web images, save a new file with a descriptive name
  • Create JPEG version
  • Copy JPEG to Apache web server folders
  • Create thumbnail from original JPEG

The new workflow is based upon this:

  • Acquire image from scanner/camera
  • For a camera image, do some exposure compensation; there is a lot of pre-processing that you can do in Camera Raw
  • Create copy of image in software’s own native file format
  • Clean up the image with the clone stamp tool and create a new file with _cleaned as its filename suffix. I tried the spot healing brush but didn’t seem to have that much success with it. Maybe I need to try again…
  • Add adjustment layer for level correction and save file with _level suffix in its name.
  • Add adjustment layer for curves correction
  • Add adjustment layer for boosting colours with hue/saturation/lightness control
  • Flatten layers and save new image with _flatten suffix in its name
  • Sharpen flattened image and create a new version with _sharpened suffix in its name
  • For web images, save a new file with a descriptive name
  • Create JPEG versions in Apache web server folders; carry out any resizing using bi-cubic sharpening at this point.

Some improvements remain. For instance, separation of raw, intermediate and final photos by storing them in different directories is perhaps one possibility that I should consider. But there are other editing tricks that I have yet to use as well: merged and blended layers. Bi-cubic smoothing for expanding images is another possibility but it is one that requires a certain amount of caution. And I am certain that I will encounter others as I make my way through my reading.

Photoshop books

28th February 2007

Having exhausted the trial time on PhotoShop Elements 5, I am now having a look at its big brother PhotoShop CS2. That has got me thinking about PhotoShop books so that I become more of the possibilities and how to use them. Having a Safari subscription as I do, that naturally became my first port of call and I seemed to find two that answered my needs. Both are by Scott Kelby and they now lie on my Safari bookshelf: The Photoshop Elements 5 Book for Digital Photographers and The Photoshop CS2 Book for Digital Photographers. Even so, I am tempted to get a dead tree version of one of them and that presents a chicken and egg dilemma: the books could help choose which software to buy and the software dictates which of them will be the more useful. That said, I suspect price and features will swing it the way of Elements 5; paying over £400 for software whose capabilities I may never need does not sound financially sensible.

Update March 5th, 2007: I have now got my mits on the dead tree edition of Scott Kelby’s The Photoshop Elements 5 Book for Digital Photographers as well as Brad Hinkel’s Focal Easy Guide to Photoshop CS2. Now for some reading…

PSP file gotcha

29th January 2007

Corel Paint Shop Pro Photo XI

Having completed my evaluation of Corel’s Paint Shop Pro (a.k.a. PSP) Photo XI, I dutifully uninstalled it from my system. However, on catching up with some files that I had acquired through the application, I found that I could not open them with its forbear PSP 9. From this, I would have to conclude that Corel made a change to PSP’s native PSPIMAGE file format along the way. Having had Windows 2000 installed in a VMware virtual machine, I got back PSP XI to batch convert the files into PSD (Photoshop’s own file format) and TIFF files for the future. Carrying out the conversion was easy enough thanks to being able to select files according to their file type, something that Adobe could do with bringing into Photoshop Elements; it’s not there even in the latest version.

Batch processing with Corel Paint Shop Pro Photo XI

Photoshop Elements 5 on trial

26th January 2007

Photoshop Elements 5 on trial

After having a trial version of Corel’s Paint Shop Pro Photo XI on evaluation, I have now moved on to the latest version of Adobe’s Photoshop Elements. Thanks to the digital photography revolution, image editing has become a lot more user-friendly these days. This is no doubt down to companies realising that investing in the development of this class of software does yield a return and the development effort is progressing things very nicely indeed.

My first exposure to image editing was with Corel’s PhotoPaint, a low profile application that did what I asked of it while guzzling as much of what little memory my PC had in those days (32 MB first, then 64 MB). Paint Shop Pro 5, a popular tool of shareware origins, replaced this, though I must admit that I did briefly encounter the ubiquitous Photoshop at this stage. The PSP commitment continued through versions 7 and 9; though it is only in the later versions that photo processing began to be a significant part of the functionality. PSP XI has taken this further and has add-on tools like SnapFire for downloading photos from cameras. It does feature screen calibration as well but I found that photos appeared very pale when using the calibrated workspace; maybe I set it up wrong. That said, its assistance in setting the brightness and contrast of my monitor was most useful. Until then, I hadn’t realised the details that I had been missing.

Nevertheless, Adobe’s Photoshop Elements has been able to inspire a certain level of confidence that PSP doesn’t. Even PE 2, which I got bundled with my Canon EOS 10D SLR, had that little extra when compared with PSP 9. For instance, it was PE where I saw the real power of the clone stamping tool. That different in air of confidence also extends to the latest generation. I have found PE 5 very quick and easy to generate good results. Features like the levels tool and “Save for the Web” are things that I have found very useful. There are a few minor disappointments such as its not showing the pixel size of the image being edited, a very useful feature of PSP. A bit of clarity around image resizing would also be nice but I suspect that I may just need to learn a little more. Overall, its speed when it comes to creating nice results swings me away from PSP and may ultimately put paid to any loyalty that I may have had to Corel’s image editor for the masses. I think that I’ll have a go with its big brother but it looks as if I may well acquire PE 5 on a more permanent basis.

Office 2007 on test…

23rd January 2007

With its imminent launch and having had a quick at one of its beta releases, I decided to give Office 2007 a longer look after it reached its final guise. This is courtesy of the demonstration version that can be downloaded from Microsoft’s website; I snagged Office Standard which contains Word, Excel, PowerPoint and Outlook. Very generously, the trial version that I am using gives me until the end of March to come to my final decision.

And what are my impressions? Outlook, the application from the suite that I most use, has changed dramatically since Outlook 2002, the version that I have been using. Unless you open up an email in full screen mode, the ribbon interface so prevalent in other members of the Office family doesn’t make much of an appearance here. The three-paned interface taken forward from Outlook 2003 is easy to get around. I especially like the ability to collapse/expand a list of emails from a particular sender: it really cuts down on clutter. The ZoneAlarm anti-spam plug-in on my system was accepted without any complaint as were all of my PST files. One thing that needed redoing was the IMAP connection to my FastMail webmail account but that was driven more by Outlook warning messages than by necessity from a user experience point of view. I have still to get my Hotmail account going but I lost that connection when still using Outlook 2002 and after I upgraded to IE7.

What do I make of the ribbon interface? As I have said above, Outlook is not pervaded by the new interface paradigm until you open up an email. Nevertheless, I have had a short encounter with Word 2007 and am convinced that the new interface works well. It didn’t take me long to find my way around at all. In fact, I think that they have made a great job of the new main menu triggered by the Office Button (as Microsoft call it) and got all sorts of things in there; the list includes Word options, expanded options for saving files (including the new docx file format, of course, but the doc format has not been discarded either) and a publishing capability that includes popular blogs (WordPress.com, for instance) together with document management servers. Additionally, the new zoom control on the bottom right-hand corner is much nicer than the old drop down menu. As regards the “ribbon”, this is an extension of the tabbed interfaces seen in other applications like Adobe HomeSite and Adobe Dreamweaver, the difference being that the tabs are only place where any function is found because there is no menu back up. There is an Add-ins tab that captures plug-ins to things like Adobe Distiller for PDF creation. Macromedia in its pre-Adobe days offered FlashPaper for doing the same thing and this seems to function without a hitch in Word 2007. Right-clicking on any word in your document not only gives you suggested corrections to misspellings but also synonyms (no more Shift-F7 for the thesaurus, though it is still there is you need it) and enhanced on-the-spot formatting options. A miniature formatting menu even appears beside the expected context menu; I must admit that I found that a little annoying at the beginning but I suppose that I will learn to get used to it.

My use of Outlook and Word will continue, the latter’s blogging feature is very nice, but I haven’t had reason to look at Excel or PowerPoint in detail thus far. From what I have seen, the ribbon interface pervades in those applications too. Even so, my impressions the latest Office are very favourable. The interface overhaul may be radical but it does work. Their changing the file formats is a more subtle change but it does mean that users of previous Office versions will need the converter tool in order for document sharing to continue. Office 97 was the last time when we had to cope with that and it didn’t seem to cause the world to grind to a halt.

Will I upgrade? I have to say that it is very likely given what is available in Office Home and Student edition. That version misses out on having Outlook but the prices mean that even buying Outlook standalone to compliment what it offers remains a sensible financial option. Taking a look at the retail prices on dabs.com confirms the point:

Office Home and Student Edition: £94.61

Office Standard Edition: £285.50

Office Standard Edition Upgrade: £175.96

Outlook 2007: £77.98

Having full version software for the price of an upgrade sounds good to me and it is likely to be the route that I take, if I replace the Office XP Standard Edition installation that has been my mainstay over the last few years. Having been on a Windows 95 > Windows 98 > Windows 98 SE > Windows ME upgrade treadmill and endured the hell raised when reinstallation becomes unavoidable, the full product approach to getting the latest software appeals to me over the upgrade pathway. In fact, I bought Windows XP Professional as the full product in order to start afresh after moving on from Windows 9x.

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