Technology Tales

A new look

Things have been changing on here. Much of that has been behind the scenes with a move to a new VPS for extra speed and all the upheaval that brings. It also gained me a better system for less money than the old upgrade path was costing me and everything feels more responsive as well. Extra work has gone into securing the website as well and I have learned a lot as that has progressed. New lessons were added to older, and sometimes forgotten, ones.

The more obvious change for those who have been here before is that the visual appearance has been refreshed. A new theme has been applied with a multitude of tweaks to make it feel unique and to iron out any rough edges that there may be. This remains a WordPress-based website and new theme is a variant of the Appointee subtheme of the Appointment theme. WordPress does only supports child theming but not grandchild theming so I had to make a copy of Appointee of my own so I could modify things as I see fit.

To my eyes, things do look cleaner, crisper and brighter so I hope that it feels the same to you. Like so many designs these days, the basis is the Bootstrap framework and that is no bad thing in my mind though the standardisation may be too much for some tastes. What has become challenging is that it is getter harder to find new spins on more traditional layouts with everything going for a more magazine-like appearance and summaries being shown on the front page instead of complete articles. That probably reflects how things are going for websites these days so it may be that the next refresh could be more home grown and that is a while away yet.

As the website heads towards its sixteenth year, there is bound to be continuing change. In some ways, I prefer that some things remain unchanged so I use the classic editor instead of Gutenburg because that works best for me. Block-based editing is not for me since I prefer to tinker with code anyway. Still, not all of its influences can be avoided and I have needed to figure out the new widgets interface. It did not feel that intuitive but I suppose that I will grow accustomed to it.

My interest in technology continues even if it saddens me at time and some things do not impress me; the Windows 11 taskbar is one of those so I will not be in any hurry to move away from Windows 10. Still, the pandemic has offered its own learning with virtual conferencing allowing one to lurk and learn new things. For me, this has included R, Python, Julia and DevOps among other things. That proved worthwhile during a time with many restrictions. All that could yield more content yet and some already is on the way.

As ever, it is my own direct working with technology that yields some real niche ideas that others have not covered. With so many technology blogs out there, they may be getting less and less easy to find but everyone has their own journey so I hope to encounter more of them. There remain times when doing precedes telling and that is how it is on here. It is not all about appearances since content matters as much as it ever did.

Turning off the full height editor option in WordPress 4.0

Though I keep a little eye on WordPress development, it is no way near as rigorous as when I submitted a patch that got me a mention on the contributor list of a main WordPress release. That may explain how the full editor setting, which is turned on by default passed by on me without my taking much in the way of notice of it.

WordPress has become so mature now that I almost do not expect major revisions like the overhauls received by the administration back-end in 2008. The second interface was got so right that it still is with us and there were concerns in my mind at the time as to how usable it would be. Sometimes, those initial suspicions can come to nothing.

However, WordPress 4.0 brought a major change to the editor and I unfortunately am not sure that it is successful. A full height editor sounds a good idea in principle but I found some rough edges to its present implementation that leave me wondering if any UX person got to reviewing it. The first reason is that scrolling becomes odd with the editor’s toolbar becoming fixed when you scroll down far enough on an editor screen. The sidebar scrolling then is out of sync with the editor box, which creates a very odd sensation. Having keyboard shortcuts like CTRL+HOME and CTRL+END not working as they should only convinced me that the new arrangement was not for me and I wanted to turn it off.

A search with Google turned up nothing of note so I took to the WordPress.org forum to see if I could get any joy. That revealed that I should have thought of looking in the screen options dropdown box for an option called “Expand the editor to match the window height” so I could clear that tickbox. Because of the appearance of a Visual Editor control on there, I looked on the user profile screen and found nothing so the logic of how things are set up is sub-optimal.  Maybe, the latter option needs to be a screen option now too. Thankfully, the window height editor option only needs setting once for both posts and pages so you are covered for all eventualities at once.

With a distraction-free editing option, I am not sure why someone went for the full height editor too. If WordPress wanted to stick with this, it does need more refinement so it behaves more conventionally. Personally, I would not build a website with that kind of ill-synchronised scrolling effect so it is something needs work as does the location of the Visual Editor setting. It could be that both settings need to be at the user level and not with one being above that level while another is at it. Until I got the actual solution, I was faced with using distraction-free mode all the time and also installed the WP Editor plugin too. That remains due to its code highlighting even if dropping into code view always triggers the need to create a new revision. Despite that, all is better in the end.

A display of brand loyalty

Since 2007, my main camera has been a Pentax K10D DSLR and it has gone on many journeys with me. In fact, more than 15,000 images have been captured with it and I have classed it as an unfailing servant. The autofocus may not be the fastest but my subjects tend to be stationary: landscapes, architecture, flora and transport. Even any bus and train photos have included parked vehicles rather than moving ones so there never have been issues. The hint of underexposure in any photos always can be sorted because DNG files are what I create, with all the raw capture information that is possible to retain. In fact, it has been hard to justify buying another SLR because the K10D has done so well for me.

In recent months, I have looking at processed photos and asking myself if time has moved along for what is not far from being a six year old camera. At various times, I have been looking at higher members of the Pentax while wondering if an upgrade would be a good idea. First, there was the K7 and then the K5 before the K5 II got launched. Even though its predecessor is still to be found on sale, it was the newer model that became my choice.

My move to Pentax in 2007 was a case of brand disloyalty since I had been a Canon user from when I acquired my first SLR, an EOS 300. Even now, I still have a Powershot G11 that finds itself slipped into a pocket on many a time. Nevertheless, I find that Canon images feel a little washed out prior to post processing and that hasn’t been the case with the K10D. In fact, I have been hearing good things about Nikon cameras delivering punchy results so one of them would be a contender were it not for how well the Pentax performed.

So, what has my new K5 II body gained me that I didn’t have before? For one thing, the autofocus is a major improvement on that in the K10D. It may not stop me persevering with manual focusing for most of the time but there are occasions the option of solid autofocus is good to have. Other advances include a 16.3 megapixel sensor with a much larger ISO range. The advances in sensor technology since when the K10D appeared may give me better quality photos and noise is something that my eyes may have begun to detect in K10D photos even at my usual ISO of 400.

There have been innovations that I don’t need too. Live View is something that I use heavily with the Powershot G11 because it has such a pitiful optical viewfinder. The K5 II has a very bright and sharp one so that function lays dormant, especially when I witnessed dodgy autofocus performance with it in use; manual focusing should be OK, I reckon. By default too, the screen stays on all the time and that’s a nuisance for an optical viewfinder user like me so I looked through the manual and the menus to switch off the thing. My brief flirtation with the image level display met an end for much the same reason though it’s good that it’s there. There is some horizon auto-correction available as a feature and this is left on to see what it offers since there have been a multitude of times when I needed to sort out crooked horizons caused by my handholding the camera.

The K5 II may have a 3″ screen on its back but it has done nothing to increase the size of the camera. If anything, it is smaller that the K10D and that usefully means that I am not on the lookout for a new camera holster. Not having a bigger body also means there is little change in how the much camera feels in the hand compared with the older one.

In many ways, the K5 II works very like the K10D once I took control over settings that didn’t suit me. Both have Shake Reduction in their camera bodies though the setting has been moved into the settings menu in the new camera when the older one had a separate switch on its body. Since I’d be inclined to leave it on all the time and prefer not to have it knocked off accidentally, this is not an issue.  Otherwise, many of the various switches are in the same places so it’s not that hard to find my way around them.

That’s not to say that there aren’t other changes like the addition of a lock to the mode dial but I have used Canon EOS camera bodies with that feature so I do not consider it a step backwards. The exposure compensation button has been moved to the top of the camera where I found it very easily and have been using perhaps more than on the K10D; it’s also something that I use on the G11 so the experimentation is being brought across to the K5 II now as well. Beside it, there’s a new ISO button so further experimentation can be attempted with that to see how it does.

If I have any criticism, it’s about the clutter of the menus on the K5 II. The long lists through you scrolled on the K10D have been replaced with a series of extra tabs so that on-screen scrolling is not needed as before. However, I reckon that this breaks up things too much and makes working through the settings look more foreboding to anyone who is not so technical in mindset. Nevertheless, settings such as the the type of file to capture are there and I continue to use RAW DNG files as is usual for me though JPEG and Pentax’s own RAW format also are there. For a while, I forgot to set the date, soon found out what I did and the situation was remedied. The same sort of thing applied to storing files in different folders according to the capture date. For my own reasons, I turned this off to put everything into a single PENTX directory to suit my own workflow. My latest discovery among the menus was the ability to add photographer and copyright holder information to the EXIF metadata attached to the image files created by the camera. With legislative proposals that dilute the automatic rights of copyright holders going through the U.K. parliament, this seems a very timely inclusion even if most would prefer that there was no change to copyright law.

Of course, the worth of any camera is in the images that it produces and I have been happy with what I have been getting so far. The bigger files mean less images fit on a memory card as before. Thankfully, SDHC card capacities have grown even if I don’t wish to machine gun my photography altogether. While out and about, I was surprised to apertures like F/14 and F/18 when I was more accustomed to a progression like F/11, F/13, F/16, F/19, F/22, etc. Most of those older values still are there though so there hasn’t been a complete break with convention. The same comment applies to shutter speeds where ones like 1/100 and 1/160 made there appearance where I might have expected just ones like 1/90, 1/125, 1/250 and so on. The extra possibilities, and that is what they are, do allow more flexibility I suppose and may even make it easier to make correct exposures though any judgement of correctness has to be in the eye of a photographer and not what a computer algorithm in a camera determines. For much of the time until now, I have stuck with an ISO of 400 apart from a little testing in a woodland area of an evening soon after the camera arrived.

Since the K5 II came my way a few months ago, I have been meaning to collect my thoughts on here and there has been a delay while I brought mu thinking to a sensible close.At one point, it felt like there was so much to say that the piece became larger in my mind that even what you have been reading now. After all, there are other things that I can adjust to see how the resulting images look and white balance is but one of these.The K10D isn’t beyond experimentation either, especially since I discovered that shake reduction was switched off and it has me asking if that lacking in quality that I mentioned earlier has another explanation. Of course, actually making use of my tripod would be another good suggestion so it’s safe to say that yet more photographic explorations await.

A place for GNOME?

There has been a lot of doom and gloom spoken about the GNOME desktop environment and the project behind it. These days it seems to be the fashionable thing to go constantly criticising it, especially after what Linus Torvalds said. KDE went through the same sort of experience a few years ago and seems to have got far enough beyond it that some are choosing it in preference to GNOME. For a good while, it was the other way around.

Since its inception, the GNOME Shell has attracted a lot of adverse comment. However, since my first encounter, it has grown on me to the point that I add it to Ubuntu and Linux Mint and use it as my default desktop environment instead of Unity, Mate or Cinnamon. The first of these may not be so surprising because of the unique approach has been taken. The use of lenses and an application launch bar are items to which I could adapt but its the merging of application menus and title bars with the top panel of the desktop that really puts me off it. Application window buttons can be moved to the right everywhere but on this global menu so I tend to view things from afar instead of using it everyday. There just is something about the experience that won’t grow on me. Strangely, that also applies to my impressions of KDE albeit in a different; there just is something less slick about the appearance of the bottom panel, the plasmoids and other items like them.

Given that Mate and Cinnamon continue the GNOME 2 approach to things that dominated my home computing for much of the last five years since I turned to Ubuntu, my decision to use GNOME Shell in preference to either come as a surprise. It isn’t that the environments aren’t slick enough but that I have come to prefer the way that GNOME Shell handles workspaces, spawning them as you need them. If that could be an option in Cinnamon, then it might become my desktop of choice but that seems to go against the philosophy of the project even if someone adds and extension for it.

For a time, I played with going with LXDE rather than either Unity or GNOME Shell; as it happened, my first impressions of the latter weren’t so positive until I spent a day with the GNOME variant of Fedora 15. Being not dissimilar to GNOME 2 in the way that it worked was the main attraction of LXDE and my initial use of it was with Lubuntu running on a netbook; the LXDE version of Linux Mint 12 now runs on it so there hasn’t been so much change on that machine.

Sometimes, the only way to deal with change is to take a look at it to see what’s coming and to decide what you need to do about it. In the case to GNOME Shell, my day with Fedora 15 on a backup PC changed my impressions and Linux Mint 11’s GNOME 2 desktop looked a bit old-fashioned afterwards. In fact, I popped GNOME 3 on there and have been using it as my main desktop environment ever since.

In computing, there always are some who expect things to just work and be the way that they want them. The need for extra configuration is a criticism that still can be levelled at GNOME Shell. Before going with Mate and Cinnamon, Linux Mint went the same way and I wonder what be done with such an approach. Will someone else pick up that baton and do the handiwork so that users don’t have to do it? Not yet, it seems. Since no one is following the lead of Linux Mint 12, there is a need for user tweaking and I have found which ones work for me and it no longer takes so to do them either.

The first place to begin is GNOME’s Extensions website and I raid a few extensions from there every time I do an operating system installation. The Alternative Status Menu extension is among the first to get added so that I have the shutdown option again on the user menu, a common criticism of the default set up. Since I always install the GNOME Tweak Tool from the distro repositories, I add the Advanced Setting in User Menu extension to get an entry in the status menu that grants quick access. Frippery Bottom Panel comes next on the list because of its workspace switcher and application window list. Others like Frippery Move Clock, Monitor Status Indicator, Places Status Indicator, Removable Drive Menu, Remove Accessibility, Shell Restart User Menu Entry and User Themes follow in some order and make things feel more pleasing, at least to my mind.

You aren’t stuck with the default theme either and I have chosen Elementary Luna from deviantART. For adding your own themes, the above listed User Themes extension is needed. Because I want Frippery Bottom Panel to match the top panel, I tweak its stylesheet and that’s where the Restart User Menu Entry extension comes in handy, though some care is needed not to crash the desktop with constant shell restarts.

Doing the above makes GNOME Shell really amenable to me and I wouldn’t like to lose that freedom to customise. Saying that, the continued controversial changes aren’t stopping yet. Those made to the Nautilus file manager in GNOME 3.6 have caused the Linux Mint project to create Nemo, a fork of the software, and Ubuntu is sticking with the previous version for now. Taking some action yourself instead of just complaining loudly sounds a more positive approach and it too makes its own statement. Many want the GNOME project team to listen to users and the new Nautilus appears not to be what they needed to see. Could the project go on like this? Only time can answer that one.

While it appears that many have changed from GNOME to other desktop environments, I haven’t come across any numbers. A reducing user base could be one way of sending a message and it makes use of a great feature of free software: there is plenty of choice. If the next version of Nautilus isn’t to my taste, there are plenty of alternatives out there. After all, Cinnamon started on Linux Mint and has gone from there to being available for other distros too; Fedora is one example. Nemo could follow suit.

Now that GNOME’s constituent applications are seeing changes, it may be that GNOME Shell is left to mature. Computer interfaces are undergoing a lot of change at the moment and Microsoft Windows 8 is bringing its own big leap. Though controversial at the time, change can be a good thing too and us technical folk always like seeing new things come along (today saw the launch of iPhone 5 and many folk queueing up for it; Google’s Nexus 7 ran out of stock in its first weeks on the market; there are more). That could be what got me using GNOME 3 in the first place and my plan is to stick with it for a while yet.

Pondering a change in appearance

This little outpost on the web has had the same site design for around two years now and I am beginning to wonder about making a change to it in the spirit of keeping things feeling fresh. Experimentation is in progress on the offline copy of what you see here but that could reveal roadblocks yet. So far, things are looking hopeful and you shouldn’t be too surprised if it all looks different some day.

A change in appearance

Over the course of it’s short history, this blog has had four different themes, the latest of which being my own customised variant of Dezzain’s Zoxengen. It’s predecessor’s have included Andreas04, Andreas09 and Prosumer. I have tinkered with all of these to varying degrees but each has offered me a certain something before I set about my tweaks. Zoxengen is no different and its clean lines and Web 2.0 feel attracted my attention. Other little features like seeing related posts listing on a post’s comments page or listing the tags associated with a post under its title line are, I hope, useful little extras. Correcting English (I may be digging a hole for myself here) and removing advertising slots (for me, this blogging business is a hobby so you’ll find no ads on any of my blogs) both seem to be a necessary tasks when implementing themes these times but the really major change was to make the design more flexible when it comes to different screen sizes, something that I hope to have achieved by allowing it to fill more of the browser window. There may be more changes, hopefully small, but I hope that you find the result as pleasing on the eye as I do.

Update: The blog’s current theme came with a lot of text that was written in poor English. While I should have got rid of all of it from the theme by now, there may be some still lurking here somewhere. If I find any more, it’ll get sorted. If something has escaped my notice for whatever reason, please let me know.

Changing the appearance of WordPress admin pages

There seems to be a percolation of plugins that aim to change the appearance of WordPress administration pages from their day-glow blue to something more pleasing; Earthtones is the one that I use for this blog but I have also been known to use WP Tiger Administration as well. Both options work well, though the latter needs some adjustments to work as well with WordPress 2.3 as it does with the 2.2 line. One area that they both fail to influence is the appearance of the upload screen. It doesn’t help that upload.php, the underlying PHP script, is a dual purpose animal: used in an iframe in the post editing page and standalone for upload management. Curiously, you can only upload files on the post editing page and not on the upload management screen, a definite quirk. The thing that really stops these admin theme plugins gaining any sort of purchase with upload.php is that it also uses an auxiliary stylesheet, upload.css, that is called after the WordPress function hook has been defined; if it came before this, then the styles in upload.css could be overridden. You could edit upload.php and edit the replacement stylesheet but the former activity would require repeating at every WordPress upgrade. I chose to edit upload.css and will keep that is a safe place so that I can replace the file following an upgrade. If upload.php was treated like every other admin script, then this would be unnecessary. A useful suggestion for Automattic, perhaps?

A throwback to the past: an appearance of MACROGEN

Recently, I was reviewing a log of a program being run by SAS 9.1.3 on a Solaris system and spotted lines like the following:

MACROGEN(MACRO1):   OPTIONS NOMPRINT NOMPRINTNEST

NOTE: PROCEDURE DISPLAY used (Total process time):
real time           0.73 seconds
cpu time            0.50 seconds

MPRINT(MACRO1):   SOURCE SOURCE2 NOTES;

The appearance of the word MACROGEN made me wonder if there was another system option that I had missed. A quick search of the SAS website threw up a support note that shed some light on the situation. Apparently, MACROGEN is the SAS v5 forbear of today’s MPRINT, MLOGIC, and SYMBOLGEN options and would seem to be obsolete in these days. Having started programming SAS in the days of version 6, I had missed out on MACROGEN and so use its replacements instead, hence my never coming across the option. Quite what it’s doing showing up in a SAS 9 log is another story: and there I was thinking that SAS 9 was the result of a full rewrite… Now, I am not so sure but at least I know what MACROGEN is if someone ever takes the time to ask me.