17th April 2018 Photo editing has been something that I have been doing since my first-ever photo scan in 1998 (I believe it was in June of that year but cannot be completely sure nearly twenty years later). Since then, I have been using a variety of tools for the job and wondered how other photos can look better than my own. What cannot be excluded is my preference for being active in the middle of the day when light is at its bluest as well as a penchant for using a higher ISO of 400. In other words, what I do when making photos affects how they look afterwards as much as the weather that I had encountered.
My reason for mentioning the above aspects of photographic craft is that they affect what you can do in photo editing afterwards, even with the benefits of technological advancement. My tastes have changed over time, so the appeal of re-editing old photos fades when you realise that you only are going around in circles and there always are new ones to share, so that may be a better way to improve.
When I started, I was a user of Paint Shop Pro but have gone over to Adobe since then. First, it was Photoshop Elements, but an offer in 2011 lured me into having Lightroom and the full version of Photoshop. Nowadays, I am a Creative Cloud photography plan subscriber so I get to see new developments much sooner than once was the case.
Even though I have had Lightroom for all that time, I never really made full use of it and preferred a Photoshop-based workflow. Lightroom was used to select photos for Photoshop editing, mainly using adjustments for such things as tones, exposure, levels, hue and saturation. Removal of dust spots, resizing and sharpening were other parts of a still minimalist approach.
What changed all this was a day spent pottering about the 2018 Photography Show at the Birmingham NEC during a cold snap in March. That was followed by my checking out the Adobe YouTube Channel afterwards where there were videos of the talks featured every day of the four-day event. Here are some shortcuts if you want to do some catching up yourself: Day 1, Day 2, Day 3, and Day 4. Be warned though that these videos are long in that they feature the whole day and there are enough gaps that you may wish to fast-forward through them. Even so, there is quite a bit of variety of things to see.
Of particular interest were the talks given by the landscape photographer David Noton who sensibly has a philosophy of doing as little to his images as possible. It helps that his starting points are so good that adjusting black and white points with a little tonal adjustment does most of what he needs. Vibrancy, clarity and sharpening adjustments are kept to a minimum while some work with graduated filters evens out exposure differences between skies and landscapes. It helps that all this can be done in Lightroom, so that set me thinking about trying it out for size and the trick of using the backslash (\) key to switch between raw and processed views is a bonus granted by non-destructive editing. Others may have demonstrated the creation of composite imagery, but simplicity is more like my way of working.
Confusingly, we now have the cloud-based Lightroom CC while the previous desktop counterpart is known as Lightroom Classic CC. Though the former may allow for easy dust spot removal among other things, it is the latter that I prefer because the idea of wholesale image library upload does not appeal to me for now and I already have other places for off-site image backup like Google Drive and Dropbox. The mobile app does look interesting since it allows capturing images on a such a device in Adobe’s raw image format DNG. Still, my workflow is set to be more Lightroom-based than it once was and I quite fancy what new technology offers, especially since Adobe is progressing its Sensai artificial intelligence engine. The fact that it has access to many images on its systems due to Lightroom CC and its own stock library (Adobe Stock, formerly Fotolia) must mean that it has plenty of data for training this AI engine.
23rd September 2010 It seems that, almost in spite of the uncertain times or maybe because of them, it feels like an era of change on the technology front. Computing is the domain of many of the postings on this blog and a hell of a lot seems to be going mobile at the moment. For a good while, I managed to stay clear of the attractions of smartphones until a change of job convinced me that having a BlackBerry was a good idea. Though the small size of the thing really places limitations on the sort of web surfing experience that you can have with it, you can keep an eye on the weather, news, traffic, bus and train times so long as the website in question is built for mobile browsing. Otherwise, it’s more of a nuisance than a patchy phone network (in the U.K., T-Mobile could do better on this score as I have discovered for myself; thankfully, a merger with the Orange network is coming next month).
Speaking of mobile websites, it almost feels as if a free for all has recurred for web designers. Just when the desktop or laptop computing situation had more or less stabilised, along come a whole pile of mobile phone platforms to make things interesting again. Familiar names like Opera, Safari, Firefox and even Internet Explorer are to be found popping up on handheld devices these days along with less familiar ones like Web ‘n’ Walk or BOLT. The operating system choices vary too with iOS, Android, Symbian, Windows and others all competing for attention. It is the sort of flowering of innovation that makes one wonder if a time will come when things begin to consolidate but it doesn’t look like that at the moment.
The transformation of mobile phones into handheld computers isn’t the only big change in computing with the traditional formats of desktop and laptop PC’s being flexed in all sorts of ways. First, there’s the appearance of netbooks and I have succumbed to the idea of owning an Asus Eee. Though you realise that these are not full size laptops, it still didn’t hit me how small these were until I owned one. They are undeniably portable and tablets look even more interesting in the aftermath of Apple’s iPad. You may call them over-sized mobile photos but the idea of making a touchscreen do the work for you has made the concept fly for many. Even so, I cannot say that I’m overly tempted though I have said that before about other things.
Another area of interest for me is photography and it is around this time of year that all sorts of innovations are revealed to the public. It’s a long way from what we thought was the digital photography revolution when digital imaging sensors started to take the place of camera film in otherwise conventional compact and SLR cameras, making the former far more versatile than they used to be. Now, we have SLD cameras from Olympus, Panasonic, Samsung and Sony that eschew the reflex mirror and prism arrangement of an SLR using digital sensor and electronic viewfinders while offering the possibility of lens interchangeability and better quality than might be expected from such small cameras. In recent months, Sony has offered SLR-style cameras with translucent mirror technology instead of the conventional mirror that is flipped out of the way when a photographic image is captured. Change doesn’t end there with movie making capabilities being part of the toolset of many a newly launch compact, SLD and SLR camera. The pixel race also seems to have ended though increases still happen as with the Pentax K-5 and Canon EOS 60D (both otherwise conventional offerings that have caught my eye though so much comes on the market at this time of year that waiting is better for the bank balance).
The mention of digital photography brings to mind the subject of digital image processing and Adobe Photoshop Elements 9 is just announced after Photoshop CS5 appeared earlier this year. It almost feels as if a new version of Photoshop or its consumer cousin are released every year, causing me to skip releases when I don’t see the point. Elements 6 and 8 were such versions for me and I’ll be in no hurry to upgrade to 9 yet either though the prospect of using content aware filling to eradicate unwanted objects from images is tempting. Nevertheless, that shouldn’t stop anyone trying to exclude them in the first place. In fact, I may need to reduce the overall number of images that I collect in favour of bringing away only good ones. The outstanding question on this is can I slow down and calm my eagerness to bring at least one good image away from an outing by capturing anything that seems promising at the time. Some experimentation but being a little more choosy can save work later on.
While back on the subject of software, I’ll voyage in to the world of the web before bringing these meanderings to a close. It almost feels as if there is web-based application following web-based application these days when Twitter and Facebook nearly have become household names and cloud computing is a phrase that turns up all over the place. In fact, the former seems to have encouraged a whole swathe of applications all of itself. Applications written using technologies well used on the web must stuff many a mobile phone app store too and that brings me full circle for it is these that put so much functionality on our handsets with Java seemingly powering those I use on my BlackBerry. Them there’s spat between Apple and Adobe regarding the former’s support for Flash.
To close this mental amble, there may be technologies that didn’t come to mind while I was pondering this piece but they doubtless enliven the technological landscape too. However, what I have described is enough to take me back more than ten years ago when desktop computing and the world of the web were a lot more nascent than is the case today. Then, the changes that were ongoing felt a little exciting now that I look back on them and it does feel as if the same sort of thing is recurring though with things like phones creating the interest in place of new developments in desktop computing such as a new version of Window (though 7 was anticipated after Vista). Web designers may complain about a lack of standardisation and they’re not wrong but this may be an ear of technological change that in time may be remembered with its own fondness too.
18th January 2010 One of the consequences of buying a new camera is that your current photo processing software may not be fully equipped for the job of handling the images that it creates. This is a particular issue with raw image files and Adobe Photoshop Elements 5 was unable to completely handle DNG files made with my Pentax K10D until I upgraded to version 7. Yes, I do realise that the upgrading camera should been in order but I only lost the white balance adjustments so I could with things as they until upgrading gained a more compelling case.
As things stood, Elements 7 was unable to import CR2 files from my Canon PowerShot G11 into the Organiser so it was off to the appropriate page on the Adobe website for a Camera Raw updater. I picked up the latest release of Camera Raw (5.6 at the time of writing) even though it was found in the Elements 8 category (don’t be put by this because release notes address the version compatibility question more extensively). Strangely, the updater doesn’t complete everything because you still need to copy Camera Raw.8bi from the zip archive and backup the original. Quite why this couldn’t have been more automated, even with user prompts for file names and locations, is beyond me but that is how it is. However, once all was in place, CR2 files were handled by Elements without missing a beat.
23rd October 2009 Quite possibly, THE big technology news of the week has been the launch of Windows 7. Regular readers may be aware that I have been having a play with the beta and release candidate versions of the thing since the start of the year. In summary, I have found to work both well and unobtrusively. There have been some rough edges when access files through VirtualBox’s means of accessing the host file system from a VM but that’s the only perturbation to be reported and, even then, it only seemed to affect my use of Photoshop Elements.
Therefore, I had it in mind to get my hands on a copy of the final release after it came out. Of course, there was the option of pre-ordering but that isn’t for everyone so there are others. A trip down to the local branch of PC World will allow you to satisfy your needs with full, upgrade (if you already have a copy of XP or Vista, it might be worth trying out the Windows Secrets double installation trick to get it loaded on a clean system) and family packs. The last of these is very tempting: three Home Premium licences for around £130. Wandering around to your local PC components emporium is an alternative but you have to remember that OEM versions of the operating system are locked to the first (self-built) system on which they are installed. Apart from that restriction, the good value compared with retail editions makes them worth considering. The last option that I wish to bring to your attention is buying directly from Microsoft themselves. You would think that this may be cheaper than going to a reseller but that’s not the case with the Family Pack costing around £150 in comparison to PC World’s pricing and it doesn’t end there. That they only accept Maestro debit cards along with credit cards from the likes of Visa and Mastercard perhaps is another sign that Microsoft are new to whole idea of selling online. In contrast, Tesco is no stranger to online selling but they have Windows 7 on offer though they aren’t noted for computer sales; PC World may be forgiven for wondering what that means but who would buy an operating system along with their groceries? I suppose that the answer to that would be that people who are accustomed to delivering one’s essentials at a convenient time should be able to do the same with computer goods too. That convenience of timing is another feature of downloading an OS from the web and many a Linux fan should know what that means. Microsoft may have discovered this of late but that’s better than never.
Because of my positive experience with the pre-release variants of Windows 7, I am very tempted to get my hands on the commercial release. Because I have until early next year with the release candidate and XP works sufficiently well (it ultimately has given Vista something of a soaking), I’ll be able to bide my time. When I do make the jump, it’ll probably be Home Premium that I’ll choose because it seems difficult to justify the extra cost of Professional. It was different in the days of XP when its Professional edition did have something to offer technically minded home users like me. With 7, XP Mode might be a draw but with virtualisation packages like VirtualBox available for no cost, it’s hard to justify spending extra. In any case, I have Vista Home Premium loaded on my Toshiba laptop and that seems to work fine, in spite of all the bad press that Vista has gotten for itself.
12th October 2009 It now seems that we have a new version of Photoshop Elements from Adobe for every year unless you’re a Mac user. Version 7 convinced me to splash out and that gained me Camera Raw recognition of my Pentax K10D along with subtly enhanced image processing power that I have been putting to good use to get more pleasing results than I ever got before. What can be achieved by using levels, curves and the shadow/highlight adjustment tool for exposure correction has amazed me recently. Quick selection functionality has allowed me to treat skies differently from everything else in landscape photos, a flexible graduated filter if you like. It seems to work on Windows 7 along with Vista and XP so I plan to stick with it for a while yet. As you may have gathered from this, it would take some convincing to make me upgrade and, for me, version 8 doesn’t reach that mark. All in all, it seems that it is a way of giving Mac users a new release with added goodness after having to stay with 6 for so long; yes, there are new features like autotagging in the image organiser but they just don’t grab me. Given that they already have Aperture from Apple and Windows users seem to get more releases, it’s a wonder that any Mac user would toy with Elements anyway. Maybe, that’s Adobe’s suspicion too.
10th November 2008 In recent days, I have been playing around with Photoshop Elements 7, doing the same sort of things that I have been doing with Elements 5. Reassuringly, I can still find my way around, even if the screen furniture has been moved about a little. My Pentax K10D is recognised and I am able to set white balance to get sensible results. On the images that I was testing, things started to look too warm in the Cloudy and Shade settings but that’s all part and parcel of processing photos taken in early November. The results of my exertions look decent enough and you can see them in a post on my hillwalking blog.
I realise that Adobe has been promoting the ability to easily airbrush unwanted objects from images and enhance blue skies but there’s no point having all of that if functionality available in previous versions does not work as expected. Thankfully, this is largely the case but there are a few niggles. I have working the new Elements on a Windows XP SP3 virtual machine running in VirtualBox 2.04 on Ubuntu 8.10 so I don’t know if that contributed in any way to what I encountered. One gigabyte of memory is allocated to the VM. The files were stored in the Ubuntu file system and accessed using VirtualBox’s functionality for connecting through to the host file system. File access was fine but I was unable to directly open a file for full editing from the Organiser, something that I have doing very happily with Elements 5. I also noted a certain instability in the application and using the hand tool to get to the top left hand corner of an image sent the thing into a loop, again something that Elements 5 never does. Otherwise, things work as they should but what I saw points to the need for an update to correct any glitches like these and I hope that there is one. For now, I will persevere and see if I can make use of any additional functionality along the way.
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- Adobe Photoshop Elements 7 Editor
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- Adobe Photoshop Elements 7 Organiser
24th October 2008 
The Alt-Click keyboard-mouse combination is a very common way of working with various flavours of Adobe Photoshop. So, it was with some frustration that I couldn’t use it while working in Photoshop Elements (still on version 5, by the way; the temptation of newer versions has not struck) on a Windows XP guest in VirtualBox on my main Ubuntu system. A quick google later and a proposed solution was for me a surprising one: going to System -> Preferences -> Windows on the host OS and changing the setting of the Movement Key from Alt to Super (Windows key on many keyboards). That was enough to set all in order. It seems that a setting on the host operating system was preventing a piece of software running on the guest from behaving as expected. That’s all in the past now that I have got my clone brush functionality back and can work as normal again.
6th September 2008 Now that VirtualBox 2.0 is out with its 64-bit operating system support among other things, the version included in Ubuntu 8.04, OSE 1.56, is looking that bit older. Nevertheless, there remains a lot to like about the version that I have been using.
For one thing, its Shared Folders functionality doesn’t trip up Photoshop Elements like VMware does. VMware so hobbled Photoshop’s ability to save back to the Linux file system that it had me looking at the WINE route and I got to use GIMP for a while. VirtualBox brought me back into the Photoshop fold and I seem to like the results that I can get with Elements better than those from GIMP.
Another nicety is the way that guest OS desktops can be resized to fit in a maximised VM window. For this to work, you need VirtualBox Guest Additions in place in the virtual machine but it works very well when all is in place; my experience is with Windows XP. Full screen is on tap too once you use the Host+F combination; the right hand control key is usually the Host key by default. If there is any criticism at all, it might be that seamless application windows are not available in OSE 1.5.6.
Linux kernel changes can upset things, but drivers don’t take too long to appear and you can always take matters into your own hands anyway. It’s a far cry from the blithe indifference of VMware and the need to resort to vmware-any-any patching to get things under way again.
All in all, VirtualBox OSE treats me very well. Guest operating systems may seem sluggish at times but it’s never enough to annoy or seriously impede usage. It’ll be interesting to see if a newer version of VirtualBox makes it into Ubuntu 8.10.
25th January 2008 It was the prospect of having Photoshop Elements going on Linux that got me thinking about working with WINE. The cause of that was Elements’ inability to edit, create and save files to a VMware shared folder. As it turned out, there was more to my WINE adventures than getting Elements working. Because I was in learning mode, those adventures turned out to be messy ones with WINE getting uninstalled and reinstalled a number of times. For the last of these, I forced matters by installing from a DEB package rather than going through Ubuntu’s normal channels. The openSUSE journey was a bit more orderly and that VM option remains if I want to go experimenting more.
Along the way, I got the Windows version of Opera going as a test. When trying out WINE in former times, I never tried installing applications into it like I do now. I don’t know if this was because I hadn’t made an important connection or that wasn’t the way that things used to be. Flushed with the success of Opera, I went further and discovered that Dreamweaver 8 and Altova’s XMLSpy 2007 Professional work without my breaking a sweat. Photoshop Elements was another story and one that I have told before. Apple’s iTunes was another thing that I tried but without success, even with a useful guide on Wine Reviews; for some reason, I’m having trouble getting the installation to complete successfully. I think that I’ll leave my tinkering at that for now but my general impression is that WINE works well these days, even if there is the odd crash or inexplicable disappearance of an application window. The latter happened with Dreamweaver and XMLSpy and I needed to log off and back on again to clear the slate for further progress.
4th April 2007 After a session with Photoshop CS2 and a preview of CS3’s capabilities, I went and got myself a permanent copy of Elements 5 after seeing the similarities between Scott Kelby’s books on Elements 5 and CS2. In any event, I fail to justify the cost of CS2 with CS3 being imminent and the attractions of Elements 5 were too much to ignore. I may yet go for CS3 but I’ll stick with Elements 5 for now.
The similarities between the different members of the PhotoShop family are eerie. Once I got used to finding some things in different places from where they are in CS2, I quickly found myself at home in Elements. The biggest miss that I found was the lack of an adjustment layer for the curves adjustment. Otherwise, everything else is as I would hope to find it and the sliders for curves adjustment in Elements make up for the absence of an associated adjustment layer. Bicubic resampling, an enhancement since Photoshop 7, is as per CS2 and my new workflow worked without too many changes. I took advantage of Kelby’s advice when using Camera Raw and used the Adjust Sharpness feature in place of the Unsharp Mask to get what I perceive to be good results. Everything seemed to work fine for the test digital photo that I was processing for my other blog. I am not totally abandoning my examinations of Elements’ big brother though; the smart layers feature looks interesting, especially for non-destructive sharpening.