Technology Tales

A new acquisition

Back in the early days of this blog, I mulled over the idea of having a high-end digital compact camera to complement a DSLR that then was delivering very dusty images; that Canon EOS 10D was cleaned since then and comes in for occasional use to this day. That was nearly three years ago and a first generation Ricoh GR Digital was the item that then was catching my eye. At the time, I failed to justify spending that much money on such a thing and ended up acquiring a new Pentax K10D DSLR instead. The question that rattled about my head was this: what was the point of spending DSLR money on a compact camera? Its one that never really went away and comes to mind when you see the prices of interchangeable lens compacts like Olympus’ Pen and equivalent offerings from Panasonic and Ricoh (there, it’s interchangeable lens units rather than actual lenses).

The strongest counterpoint to the cost conundrum is the little matter of size. SLR (film or digital) cameras are sizeable things and there is a place for having something that drops into a pocket. It is that which has propelled me into taking delivery of a Canon PowerShot G11. It may need a good-sized pocket but, unless you are going out with no jacket, it shouldn’t be a problem most of the time. For those shorter sorties when I don’t fancy bringing an SLR out, it well-built and looks the business though some acclimatisation is in order to make the best of the knobs, buttons and menus. Nevertheless, the included manual will help with this process (there’s a paper quick start guide and more detailed documentation on CD).

The camera hasn’t seen extensive use just yet so here are a few early impressions. Firstly, there’s the matter of size: it’s even smaller than the first camera that I ever bought (more than fifteen years ago) and that was a Ricoh 35 mm compact film camera. That comparison is even more striking when you consider the feature sets. The Ricoh was a fixed 35 mm lens affair with things like date and time stamping, ISO choice and a nod towards scenic mode selection. In contrast, the much newer Canon is loaded with the sorts of things that normally are found almost exclusively on SLR’s, starting with its effective 28-140 mm focal length range.

Exposure modes such as manual, aperture priority and shutter priority complement scene-based modes and another for movies (not a concern of mine, it has to be said). As if that weren’t enough, there’s exposure compensation too. It came as a surprise to me to find a form of manual focussing included though it is not as convenient as turning a focussing ring on a lens. You can see the inbuilt flash above but there’s also a hotshoe and a place to attach a tripod too. Settings like white balance and file format are accessed using the Function/Set button with the lever underneath the shutter release button controlling the focal length of the lens. In addition, there’s also image stabilisation and that’s important when you’re using live view to compose a photo. Spot metering and focal point selection are other things that find their way into the package. Some may be excited by other things but exposure and focussing are essential for any photographic efforts.

An optical viewfinder is included and it has dioptre settings too but my first impressions are that live view though the rear screen trumps it and I see no need for such things on SLR’s. That also flips out from the camera body and can be rotated either for self-portraiture or for folding back in on the camera body for use like a non-articulated screen. Another use is with those occasions when the subject means holding the camera in positions that would be impossible with a conventional screen; holding the camera over your head or down low on the ground are the sorts of situations that come to mind.

Of course, there’s more there than those features that I have listed and the specifications on the Canon website are as good a place to start as any. So far, my only testing has been of the cursory checks variety and to make sure that the thing works properly. Still, this has given me more of a feel for the camera and how it operates. As you’d expect, high ISO settings are noisy but a bigger surprise was that the smallest aperture setting is f/8. Being used to SLR’s, I was expecting to get f/16 and its like on there but a spot of internet investigation showed that I should have been taking the size of the sensor into account with my expectations. Any trials so far have been in dull weather so I’d need to use it in a wider variety of conditions before giving it the sort of wider appraisal that you’d find in the likes Outdoor Photography (who liked it, it has to be said). For what it’s worth, I have found no major criticism so far though I cannot see it usurping my SLR’s but that never was the intention anyway.

Temptations, temptations…

The last time that I went out and bought a new camera was over two years ago and I am minded not to make another purchase for a while. Apart from damage to the battery cover arising from a fall, my Pentax K10D has survived so far without a problem and I admit to being satisfied with the photos that it makes. Following a professional sensor clean, my Canon EOS 10D has been pressed into service over the past few months too. In the meantime, 6 and 10 megapixel sensors generate nowhere near the attention that might have been case a few years back but that’s by the by. In fact, the megapixel race seems to have stalled with features like video being added to stills cameras over the last year and live screens coming to prominence also. Neither would make me rush out to buy a new DSLR anyway, perhaps because having things the old way suits me just fine and megapixel counts never ever moved me in the first place either.

That’s never to say that the likes of Pentax’s K-7 or Canon’s EOS 50D and 5D Mark II don’t capture my attention with their promises of better quality. However, with things the way that they are in the world, I am more likely to hold onto my cash or maybe invest in new photo processing software for making the most of what I already have. Ideas for photography projects creep into my head when I get to looking over my online photo gallery and realise that not have my tastes changed but my photographic eye has developed too. That seeing of things in a new light may mean that old subjects get revisited and I don’t need a new camera to do that.

High end compact cameras such as Canon’s G11 and Ricoh’s GR Digital III do detain attention for a while but a quick look at their prices proves that you really got to need the portability and I never can justify the outlay when a DSLR will do all that I want from it, and perhaps even for less money. While I admit to pondering the purchase of a GR Digital to cover for the EOS 10D while it was away for cleaning, the Pentax came to be acquired when I realised that the versatility of a DSLR was too much to lose, even for a while. Olympus’ E-P1 may have bridged the gap but the old question of going miniature for the price of a full sized article recurs.

All in all, I am going to stick with what I have right now. We are coming to a time of year when things appear more golden and that combination of lighting and colour are what really matters, not how many megapixels is in you camera sensor unless you are making large prints or supplying stock libraries. As long as my cameras continue to deliver pleasing results, I’ll stick with improving my skills and taking my time over that task, even with all the announcements of new cameras at various exhibitions and shows.

Amateur Photographer reviews…

Amateur Photographer seem to have had a run of reviews recently. First off were the Olympus E-410 and E-510 that they seemed to like. Then, they moved onto the Ricoh Caplio GX100 and they seemed to like that too, though they did say that quality wasn’t up to SLR standards. But then again, it is a compact and that might be expecting a bit too much. This week, Paint Shop Pro comes under the spotlight as does Epson’s V350 scanner. I have yet to read these but I have been engaging in a spot of equipment acquisition anyway. My CanoScan 5000F scanner has been usurped by Epson’s Perfection Photo 4490 and very happy I am with it too. The quality of the scans that I have been doing of prints has been good and the presence of an on/off switch is a creditable one. None of the other scanners that I have had possessed it and having to plug something in and out from the power socket is inconvenient to say the least. I have also gone and got myself a new DSLR. Seeing Pentax’s K10D going with a 18-55 mm lens for £499 at Jessop’s overrode my better reason and put paid to ideas of purchasing any other electronic goods for the rest of this year. It’s an award-winning gadget and Photography Monthly’s Will Cheung seemed to get on fine with it. Which Digital Camera said it was heavy but it has to stand up to use in the great outdoors. The sensor may be a 10 megapixel affair so this will be an upgrade to my Canon EOS 10D; that has a sensor in need of clean right now (I plan to get it done by the professionals) and every time that I want to use an image that it has made, Photoshop’s healing brush has to be pressed into service. Pentax does boast about all of the seals that it has added to the K10D, a good thing if they cut down on the dust entering the camera. And if dust does get in, the sensor cleaning feature will hopefully see it off from the photos. Image stabilisation, another value adding feature, is also there and may prove interesting. Strangely, there’s some motion picture capture as well and I hope that it doesn’t get the EU coming after me to collect retrospective camcorder duty. In any case, it’s not a feature that I really need and the Live View functions on the equivalent Olympus offerings fall into the same category anyway. It’ll be interesting to see how the K10D performs and it’s a change from the Canon/Nikon hegemony that seems to dominate digital photography these days.

Update: I have since perused the current issue of Amateur Photographer and seen that Paint Shop Pro suffered from performance issues on computers that worked fine with Photoshop. Otherwise, it compared well with Adobe’s offerings even if the interface wasn’t seen to be as slick. Epson’s V350 was well received though it was apparent that spending more got you a better scanner but that’s always the way with these things.

A tale of two reviews

Recently, I encountered two very different reviews of the newly launched Olympus E-410 DSLR in Which Digital Camera? and Practical Photography, respectively. The review in the former was a positive affair, though it was a first look at the camera, but the impression formed by the latter reviewer was lukewarm in nature.

The camera features a live electronic viewer on its back, a carry over from digital compacts and a feature that I may never use. While that might be the unique selling point for the camera, good image quality and the fact that it possesses a cleaning mechanism for its sensor are of much more interest to me.

Ironically, the Practical Photography review spent most of its time talking about the very feature of the camera that interests me the least, with only a scant mention of quality; to be frank, I didn’t find it a very useful appraisal even if the electronic viewfinder may not be all that it’s cracked up to be and it’s picture quality and camera handling that ultimately matter to the photography enthusiast.

In contrast, Which Digital Camera? seemed to give a more rounded view and proved to be of more interest and I’d be interested to see what the likes of Photography Monthly and Amateur Photographer might have to say. Incidentally, I also shall be awaiting the Which Digital Camera? appraisal of Ricoh’s Caplio GX100 in their next issue.

Ricoh Caplio GX100?

Because my digital SLR has needed to be sent away for cleaning for a while now (in the meantime I have got good at using Photoshop Elements to clean up up pictures…), I have been on the lookout for a backup camera so that I can add photos to any trip reports on my hillwalking blog without having to wait for film to be processed. Previously, my eye was on Ricoh’s GR Digital but they have now introduced the award-winning Caplio GX100. The zoom range is a very useful 24-72 mm in 35 mm film terms and that removable electronic viewfinder looks very neat. Having a 10 megapixel sensor adds to the appeal and advanced exposure modes like manual and aperture priority. The feature list has almost ensured its ousting of the GR Digital from any wish list that I might have; the only thing outstanding is seeing how it performs in a photography magazine’s full test review. A thumbs up from there might even get me onto the acquisition trail…

Camera tales

Anyone who has ever been on HennessyBlog will know that I enjoy walking in the countryside and that I always have a camera with me when I do. Like many digital SLR owners, I am beginning to see the tell-tale spots in my photos that are caused by a dirty sensor. And it isn’t that I am continually changing lenses either: I rarely remove the Sigma 18-50 mm DC zoom lens that I use with the camera. Rather than trusting myself with the cleaning (I have had a go already without much success), I am giving serious consideration to letting the professionals take care of my Canon EOS 10D, my only digital camera. I have already been quoted something of the order of £35 by a Canon service centre not far from me and am seriously considering taking them up on the offer.

Of course, sending it away to them means that I will have to forego the ability to include photos with posts on HennessyBlog describing my walks in the kind of timescale to which I have become accustomed; of course, this is where digital really scores. I will still have a camera with me as film remains my mainstay, even in this digital age. The camera in question is another Canon, an EOS 30 that I acquired used from Ffordes Photographic. While taking a recent peek at their website, I have just spied a used EOS 1V going for £399, a song for what remains Canon’s top of the range film SLR. Yes, I am tempted but I must stay real. In fact, I did not pay full price for my EOS 10D. That was part of the run-out stock that 7dayshop.com were selling off at next to half of the EOS 10D’s original asking price in the wake of its being superseded by the EOS 20D (itself since replaced by the EOS 30D: digital is a fast-moving world).

Sending a camera away for attention is not new to me as I also acquired a used Minolta X-700 manual focus SLR, again obtained from Ffordes, and that needed a spot of maintenance after a year in my possession. There was a problem with the shutter that cost me £75 to get Minolta to fix. Now that Minolta as a camera maker is no more, I was wondering who would attend to it in the future. That question was answered by a recent look on the web: in the UK it is JP Service Solutions, a division of Johnson’s Phototopia. Konica Minolta retain this information on their website. Konica Minolta’s failure to capitalise effectively on the digital revolution in its early days, particularly in the SLR area where they gifted their competitors a massive head start, cost them their future in the photographic business and now Sony continues the mantle, a sad end to one of camera manufacturing’s great innovators.

Returning to my digital-less dilemma, I suppose that I could get another digital for backup duty; I have to admit that a DSLR is a bulky contraption to be carrying in airline luggage. The camera that has made it onto my wish list is Ricoh’s GR Digital, a highly regarded offering that follows in the great tradition of its film forbears, the GR 1 and GR 21. Given that my first 35 mm camera was a Ricoh, and I have it still, this would be a case of returning to my roots. Of course, having it on a wish list is very different from having it on the to-do list and finances will certainly dictate if the purchase is made, though a finance deal offered by Warehouse Express does make it more accessible. Maybe some day…