Technology Tales

Adventures & experiences in contemporary technology

More thinking on travelling without a laptop

10th December 2016

When it comes to the technology that I carry with me on trips away, I have begun to start weighing devices on my kitchen scales. The results are a little revealing. The HP Pavilion dm5 that has gone with me to Ireland and other places weighs between 2.5 and 3 kg while my Apple iPad Mini 2 comes in at 764 grams. My 12.9″ iPad Pro with its Logitech keyboard weighs between these at 110 to 1200 grams. The idea of consolidating computing devices for travel has been discussed on here before now and the main thing stopping my just going with the iPad Pro was the viewing of photos without filling up its 32 GB of storage space.

Since then, I just may have found a workaround and it is another gadget, this time weighing only a few hundred grams: a 1 TB WD My Passport Wireless portable hard drive. Aside from having a SD card slot that allows the automatic backup of photos, it also can connect with tablets and phones using WiFi broadband.

WD My Passport Wireless

It is the WD My Cloud app that makes the connections to mobile devices useful and it works smoothly on iOS and Android devices too. Nevertheless, there is more functionality on the latter ones such as DNG file support and an added slide show feature that works with JPEG files. Both of these are invaluable for viewing photos and I feel a little short-changed that they are not available on iOS. Hopefully, that will get resolved sooner rather than later.

Thankfully, my Pentax K5 II DSLR camera can be persuaded to save DNG and JPEG files simultaneously so that they can be viewed full screen on both types of devices without having to transfer them onto the tablet first as you would with Apple’s SD card reader. Usefully, that gets around my oversight in buying iPads with only 32 GB of storage each. That now looks like a false economy given what I am trying now.

Such is the weight difference, just taking along my Apple iPad Pro and the WD device will save around 1 kg and there is less fuss at airport security screening too. While my HTC phone would suffice for seeing photos as slide shows, I am wondering if my battered Google Nexus 9 could come too. The only dilemma then would be how to pack things since I am not sure how a large iPad screen would seem to cabin crew or other passengers during take off and landing. That makes using the Nexus 9 onboard more of a proposition and the iPad might go into the hold luggage to make life a little easier. Still, that choice is a minor concern now that I can try travelling overseas without a laptop to see how I get along.

A display of brand loyalty

12th July 2013

Since 2007, my main camera has been a Pentax K10D DSLR and it has gone on many journeys with me. In fact, more than 15,000 images have been captured with it and I have classed it as an unfailing servant. The autofocus may not be the fastest but my subjects tend to be stationary: landscapes, architecture, flora and transport. Even any bus and train photos have included parked vehicles rather than moving ones so there never have been issues. The hint of underexposure in any photos always can be sorted because DNG files are what I create, with all the raw capture information that is possible to retain. In fact, it has been hard to justify buying another SLR because the K10D has done so well for me.

In recent months, I have looking at processed photos and asking myself if time has moved along for what is not far from being a six year old camera. At various times, I have been looking at higher members of the Pentax while wondering if an upgrade would be a good idea. First, there was the K7 and then the K5 before the K5 II got launched. Even though its predecessor is still to be found on sale, it was the newer model that became my choice.

Pentax K5-II

My move to Pentax in 2007 was a case of brand disloyalty since I had been a Canon user from when I acquired my first SLR, an EOS 300. Even now, I still have a Powershot G11 that finds itself slipped into a pocket on many a time. Nevertheless, I find that Canon images feel a little washed out prior to post processing and that hasn’t been the case with the K10D. In fact, I have been hearing good things about Nikon cameras delivering punchy results so one of them would be a contender were it not for how well the Pentax performed.

So, what has my new K5 II body gained me that I didn’t have before? For one thing, the autofocus is a major improvement on that in the K10D. It may not stop me persevering with manual focusing for most of the time but there are occasions the option of solid autofocus is good to have. Other advances include a 16.3 megapixel sensor with a much larger ISO range. The advances in sensor technology since when the K10D appeared may give me better quality photos and noise is something that my eyes may have begun to detect in K10D photos even at my usual ISO of 400.

There have been innovations that I don’t need too. Live View is something that I use heavily with the Powershot G11 because it has such a pitiful optical viewfinder. The K5 II has a very bright and sharp one so that function lays dormant, especially when I witnessed dodgy autofocus performance with it in use; manual focusing should be OK, I reckon. By default too, the screen stays on all the time and that’s a nuisance for an optical viewfinder user like me so I looked through the manual and the menus to switch off the thing. My brief flirtation with the image level display met an end for much the same reason though it’s good that it’s there. There is some horizon auto-correction available as a feature and this is left on to see what it offers since there have been a multitude of times when I needed to sort out crooked horizons caused by my handholding the camera.

The K5 II may have a 3″ screen on its back but it has done nothing to increase the size of the camera. If anything, it is smaller that the K10D and that usefully means that I am not on the lookout for a new camera holster. Not having a bigger body also means there is little change in how the much camera feels in the hand compared with the older one.

In many ways, the K5 II works very like the K10D once I took control over settings that didn’t suit me. Both have Shake Reduction in their camera bodies though the setting has been moved into the settings menu in the new camera when the older one had a separate switch on its body. Since I’d be inclined to leave it on all the time and prefer not to have it knocked off accidentally, this is not an issue.  Otherwise, many of the various switches are in the same places so it’s not that hard to find my way around them.

That’s not to say that there aren’t other changes like the addition of a lock to the mode dial but I have used Canon EOS camera bodies with that feature so I do not consider it a step backwards. The exposure compensation button has been moved to the top of the camera where I found it very easily and have been using perhaps more than on the K10D; it’s also something that I use on the G11 so the experimentation is being brought across to the K5 II now as well. Beside it, there’s a new ISO button so further experimentation can be attempted with that to see how it does.

If I have any criticism, it’s about the clutter of the menus on the K5 II. The long lists through you scrolled on the K10D have been replaced with a series of extra tabs so that on-screen scrolling is not needed as before. However, I reckon that this breaks up things too much and makes working through the settings look more foreboding to anyone who is not so technical in mindset. Nevertheless, settings such as the the type of file to capture are there and I continue to use RAW DNG files as is usual for me though JPEG and Pentax’s own RAW format also are there. For a while, I forgot to set the date, soon found out what I did and the situation was remedied. The same sort of thing applied to storing files in different folders according to the capture date. For my own reasons, I turned this off to put everything into a single PENTX directory to suit my own workflow. My latest discovery among the menus was the ability to add photographer and copyright holder information to the EXIF metadata attached to the image files created by the camera. With legislative proposals that dilute the automatic rights of copyright holders going through the U.K. parliament, this seems a very timely inclusion even if most would prefer that there was no change to copyright law.

Of course, the worth of any camera is in the images that it produces and I have been happy with what I have been getting so far. The bigger files mean less images fit on a memory card as before. Thankfully, SDHC card capacities have grown even if I don’t wish to machine gun my photography altogether. While out and about, I was surprised to apertures like F/14 and F/18 when I was more accustomed to a progression like F/11, F/13, F/16, F/19, F/22, etc. Most of those older values still are there though so there hasn’t been a complete break with convention. The same comment applies to shutter speeds where ones like 1/100 and 1/160 made there appearance where I might have expected just ones like 1/90, 1/125, 1/250 and so on. The extra possibilities, and that is what they are, do allow more flexibility I suppose and may even make it easier to make correct exposures though any judgement of correctness has to be in the eye of a photographer and not what a computer algorithm in a camera determines. For much of the time until now, I have stuck with an ISO of 400 apart from a little testing in a woodland area of an evening soon after the camera arrived.

Since the K5 II came my way a few months ago, I have been meaning to collect my thoughts on here and there has been a delay while I brought mu thinking to a sensible close.At one point, it felt like there was so much to say that the piece became larger in my mind that even what you have been reading now. After all, there are other things that I can adjust to see how the resulting images look and white balance is but one of these.The K10D isn’t beyond experimentation either, especially since I discovered that shake reduction was switched off and it has me asking if that lacking in quality that I mentioned earlier has another explanation. Of course, actually making use of my tripod would be another good suggestion so it’s safe to say that yet more photographic explorations await.

Dispensing with temptation

26th January 2012

The compact system camera arena is a burgeoning one with many manufacturers having followed Olympus into the fray. In latter months of last year, Nikon finally took the plunge though Canon have yet to do the same. Seeing offers on Olympus E-PL1 kits with a 14-42 mm zoom lens had me tempted, particularly with a price tag of the order of £250. In fact, I even got to looking into the competition too and a shortlist emerged. This also featured the Samsung NX-11 and the Sony NEX-C3 as well as the big brother of the latter, the NEX-5N.

Dispensing with temptation

What eventually countered the allure of shiny objects was the question as to why I needed such an item. After all, I already possess a Pentax K10D DSLR and a Canon Powershot G11 and these have been satisfying my photographic needs for a while now. The DSLR may date from 2007 but it is still working well for me and, if it ever needed replacing, I’d be going for another Pentax with the K-5 being a strong contender. The Canon is doing what’s asked of it so the recent launching of the G1 X isn’t so tempting either.

The whole dalliance has me wondering about how photographic equipment changeovers come about. After all, it was around a decade ago with the DSLR revolution was in the offing if not in progress. Until then, film photography was predominant but it looks as if it got as far as it could from a technological point of view when I look back at what happened. The digital photography area was new and untapped so moving there offered new possibilities and purchases more easily justified. The end result is that very few film cameras are being made nowadays. Ironically, it’s film photography that now is untrammelled terrain for many and it is holding its own too in an era when digital photography predominates.

The same sort of newness that came with digital photography also applies to CSC‘s to a certain extent. From the heritage of half-frame 35 mm film photography, Olympus has fashioned a different type of digital camera: essentially a compact with interchangeable lenses. Was it the fact that I have no CSC that caused me to be tempted and has it happened to others too? Also, is that what got digital photography going in the first place?

It almost feels as if camera manufacturers have to keep bringing to market new models and new types of camera in order to stay in business. After all, Minolta had to sell its camera division to Sony when they failed to get going in the DSLR market quickly enough. The same thing might have happened to Pentax too with the marque passing to first to Hoya, and then to Ricoh after the firm lost its independence.

What doesn’t help is the lack of longevity of camera models. The coming of digital photography has exacerbated this situated with models being launched at a frenetic rate. In the days of film photography, a model could last on the market for a few years and there was once a time when a twenty year lifetime wouldn’t have looked so ridiculous though there were incremental improvements made over that time too. For instance, a Pentax K1000 wouldn’t be exactly the same at the end of its production run as it was at the start though the model number may be the same. That world is gone.

Camera types have done better with the SLR design lasting around 50 years so far. However, mirror-less camera technology is adding pressure like never before. Even compact cameras allow live TTL type viewing and Olympus dug into its film camera heritage to add an interchangeable lens mount to give us the first E-P1. The original PEN cameras were half-frame 35 mm affairs and, appropriately enough, their descendants have small sensors in the micro four thirds mould. Then, there’s Sony’s efforts with translucent mirrors that do not move like their SLR counterparts. Canon tried this in the 1980’s with film cameras but never pursued the genre. After that, there are mirror-less SLR-style cameras from Samsung and Panasonic that make you wonder if a full size equivalent is in the offing with live viewing and an electronic viewfinder. Olympus is doing a teaser advertising campaign at the moment and it has some wondering if an OM-D is in the offing.

Dispensing with temptation

In parallel with all this, Sony is making a good impression with their CSC’s, the NEX series. These have APS-C sized sensors like many DSLR’s and in compact bodies as well. However, the feel very much is that of a compact camera and some have complained of a like of buttons on them though the photographic quality is very good. Samsung have gone for the same sensor size in their NX-11 thought they have gone for SLR styling. That may be more suitable for some than having to find settings buried in menus.

In summary, we are in an exciting if unnerving time in camera technology at the moment. On one hand, we are seeing a great deal of miniaturisation and what formerly were still cameras can do movie making as well. The latter may not be an interest of mine and it looks like a time-consuming hobby too. A lot is in flux right now and a recent court case reminded us of the difficulties in doing original work these days with image processing in Photoshop forming the basis of a victorious copyright claim. Because the number of images that are getting created everywhere, it could be hard for some to avoid this one and that could be exacerbated if the government changes the law so that intellectual property claims can be processed in the small claims courts. That sort of thing makes film photography seem attractive and it does seem that it isn’t disappearing either, even if Kodak has its financial problems. Novelty seems to change photographic tastes and it seems that film photography is novel again. It’s a changing world and who knows where it take us. Maybe a new DSLR body might make a good purchase in case CSC’s usurp their place entirely. Photographic technology is interesting yet again.

All that was needed was a trip to a local shop

5th March 2011

In the end, I did take the plunge and acquired a Sigma 50-200 mm f4-5.6 DC OS HSM lens to fit my ever faithful Pentax K10D. After surveying a few online retailers, I plumped for Park Cameras where the total cost, including delivery, came to something to around £125. This was around £50 less than what others were quoting for the same lens with delivery costs yet to be added. Though the price was good at Park Cameras, I was wondering still about how they could manage to do that sort of deal when others don’t. Interestingly, it appears that the original price of the lens was around £300 but that may have been at launch and prices do seem to tumble after that point in the life of many products of an electrical or electronic nature.

All that was needed was a trip to a local shopUnlike the last lens that I bought from them around two years ago, delivery of this item was a prompt affair with dispatch coming the day after my order and delivery on the morning after that. All in all, that’s the kind of service that I like to get. On opening the box, I was surprised to find that the lens came with a hood but without a cap. However, that was dislodged slightly from my mind when I remembered that I neglected to order a UV or skylight filter to screw into the 55 mm front of it. In the event, it was the lack of a lens cap needed sorting more than the lack of a filter. The result was that I popped in the local branch of Wildings where I found the requisite lens cap for £3.99 and asked about a filter while I was at it. Much to my satisfaction, there was a UV filter that matched my needs in stock though it was that cheap at £18.99 and was made by a company of which I hadn’t heard before, Massa. This was another example of good service when the shop attendant juggled two customers, a gentleman looking at buying a DSLR and myself. While I would not have wanted to disturb another sales interaction, I suppose that my wanting to complete a relatively quick purchase was what got me the attention while the other customer was left to look over a camera, something that I am sure he would have wanted to do anyway. After all, who wouldn’t?

With the extras acquired, I attached them to the front of the lens and carried out a short test (with the cap removed, of course). When it was pointed at an easy subject, the autofocus worked quickly and quietly. A misty hillside had the lens hunting so much that turning to manual focussing was needed a few times to work around something understandable. Like the 18-125 mm Sigma lens that I already had, the manual focussing ring is generously proportioned with a hyperfocal scale on it though some might think the action a little loose. In my experience though, it seems no worse than the 18-125 mm so I can live with it. Both lenses share something else in common in the form of the zoom lens having a stiffer action than the focus ring. However, the zoom lock of the 18-125 mm is replaced by an OS (Optical Stabilisation) one on the 50-200 mm and the latter has no macro facility either, another feature of the shorter lens though it remains one that I cannot ever remember using. In summary, first impressions are good but I plan to continue appraising it. Maybe an outing somewhere tomorrow might offer a good opportunity for using it a little more to get more of a feeling for its performance.

Sometimes, a firmware update is in order

28th February 2011

After a recent trip to Oxford, I have started to mull over adding a longer lens (could make more distant architectural detail photos a possibility) to complement my trusty Sigma 18-125mm f/3.8-5.6 DC HSM zoom lens that now is entering approaching its third year in my hands. While I have made no decision about the acquisition of another lens, there are some tempting bargains out there, it seems. However, the real draw on my attention is the lack of autofocus with the aforementioned Sigma and I now find it hard to believe that I was blaming the manufacturer for no keeping up with Pentax when it really was the other way around. A bit of poking around on the web revealed that all that I needed to do was download a firmware update from the Pentax website. While being slowed down by the lack of autofocus cannot have done bad things for my photography, I still wonder at why I didn’t try updating the camera for as long as I have.

In the file for updating my K10D, there was a README file containing the instructions for carrying out the update with the included binary file that was set to take the camera from version 1.00 to 1.30 (hold down the Menu button while starting the camera to see what you have). In summary, both files were copied onto an SD card that was inserted into the camera and it turned off. The next step was to power up the camera with the menu button held down to start the update. To stop erroneous updates, there is an “Are you sure?” style Yes/No menu popped up before anything else happens. Selecting Yes sets things into motion and you have to wait until the word “COMPLETE” appears in the bottom left corner before turning the camera and removing the card. Now that I think of it, I should have checked the battery before doing anything because the consequences of losing power in the middle of what I was doing would have been annoying, especially with my liking the photographic results produced by the camera.

Risk taking aside, the process was worth its while with HSM now working as it should have done all this time. It seems quiet and responsive too from my limited tests to date. Even better, the autofocus doesn’t hunt anywhere near as much as the 18-55 mm Pentax kit lens that came with the camera. The next decision is whether to stick  with my manual focussing ways or lapse into trusting autofocus from now on though my better reason is to stick with the slower approach unless the subjects are fast. Now that I think of it, train and bus photos for my transport website have become a whole lot easier as have any wildlife photos that I care to capture. Speaking of the latter brings me back to that telephoto quandary that I mentioned at the beginning. Well, there’s a tempting Sigma 50-200 mm that has caught my eye…

A tendency for overexposure?

14th July 2010

A recent trip to Sweden saw my Canon PowerShot G11 being put to rather more use than was expected. If I had known what might have been coming my way, I may even have eschewed the principle of lightweight packing to bring along my Pentax DSLR. Nevertheless, the little Canon did what ever was asked of it when light was plentiful.

Once thing that I have noticed in comparison with the Pentax is the Canon’s tendency to overexpose a scene. To a point, this can be explained by the former having proper spot-metering and the latter having the less specific partial metering. In fact, that might explain why a Canon EOS 10D SLR in my possession has the same tendency. Maybe it’s time to make more use of the Sekonic light meter that I have but that adds bulk that doesn’t fit in with the idea of carrying a compact camera around with you.

That leaves getting more practice with exposure corrections at processing time (I do capture all my photos in raw format). Going further, I am finding that the same consideration appears to apply to image sharpening too. It’s almost as if you need to develop a feeling for the results produced by a camera before satisfaction with any acquired photos will follow. Having decent lighting at capture time and not having muck on the sensor helps too as I have discovered with the photos made used my Pentax K10D on a recent visit to Arran and Argyll. The state of the sensor needs sorting (even if it has an anti-dust system on board) but I sometimes wonder if my judgement of lighting is what it used to be or whether my aspirations have gone too high. Maybe I need to slow down a little so as to set aside time for working on getting better results and with the right light, a quantity that should come with autumn and winter. In the meantime, I’ll stick with making the best of the British summer.

A new acquisition

16th January 2010

Back in the early days of this blog, I mulled over the idea of having a high-end digital compact camera to complement a DSLR that then was delivering very dusty images; that Canon EOS 10D was cleaned since then and comes in for occasional use to this day. That was nearly three years ago and a first generation Ricoh GR Digital was the item that then was catching my eye. At the time, I failed to justify spending that much money on such a thing and ended up acquiring a new Pentax K10D DSLR instead. The question that rattled about my head was this: what was the point of spending DSLR money on a compact camera? Its one that never really went away and comes to mind when you see the prices of interchangeable lens compacts like Olympus’ Pen and equivalent offerings from Panasonic and Ricoh (there, it’s interchangeable lens units rather than actual lenses).

The strongest counterpoint to the cost conundrum is the little matter of size. SLR (film or digital) cameras are sizeable things and there is a place for having something that drops into a pocket. It is that which has propelled me into taking delivery of a Canon PowerShot G11. It may need a good-sized pocket but, unless you are going out with no jacket, it shouldn’t be a problem most of the time. For those shorter sorties when I don’t fancy bringing an SLR out, it well-built and looks the business though some acclimatisation is in order to make the best of the knobs, buttons and menus. Nevertheless, the included manual will help with this process (there’s a paper quick start guide and more detailed documentation on CD).

Canon PowerShot G11

The camera hasn’t seen extensive use just yet so here are a few early impressions. Firstly, there’s the matter of size: it’s even smaller than the first camera that I ever bought (more than fifteen years ago) and that was a Ricoh 35 mm compact film camera. That comparison is even more striking when you consider the feature sets. The Ricoh was a fixed 35 mm lens affair with things like date and time stamping, ISO choice and a nod towards scenic mode selection. In contrast, the much newer Canon is loaded with the sorts of things that normally are found almost exclusively on SLR’s, starting with its effective 28-140 mm focal length range.

Exposure modes such as manual, aperture priority and shutter priority complement scene-based modes and another for movies (not a concern of mine, it has to be said). As if that weren’t enough, there’s exposure compensation too. It came as a surprise to me to find a form of manual focussing included though it is not as convenient as turning a focussing ring on a lens. You can see the inbuilt flash above but there’s also a hotshoe and a place to attach a tripod too. Settings like white balance and file format are accessed using the Function/Set button with the lever underneath the shutter release button controlling the focal length of the lens. In addition, there’s also image stabilisation and that’s important when you’re using live view to compose a photo. Spot metering and focal point selection are other things that find their way into the package. Some may be excited by other things but exposure and focussing are essential for any photographic efforts.

An optical viewfinder is included and it has dioptre settings too but my first impressions are that live view though the rear screen trumps it and I see no need for such things on SLR’s. That also flips out from the camera body and can be rotated either for self-portraiture or for folding back in on the camera body for use like a non-articulated screen. Another use is with those occasions when the subject means holding the camera in positions that would be impossible with a conventional screen; holding the camera over your head or down low on the ground are the sorts of situations that come to mind.

Of course, there’s more there than those features that I have listed and the specifications on the Canon website are as good a place to start as any. So far, my only testing has been of the cursory checks variety and to make sure that the thing works properly. Still, this has given me more of a feel for the camera and how it operates. As you’d expect, high ISO settings are noisy but a bigger surprise was that the smallest aperture setting is f/8. Being used to SLR’s, I was expecting to get f/16 and its like on there but a spot of internet investigation showed that I should have been taking the size of the sensor into account with my expectations. Any trials so far have been in dull weather so I’d need to use it in a wider variety of conditions before giving it the sort of wider appraisal that you’d find in the likes Outdoor Photography (who liked it, it has to be said). For what it’s worth, I have found no major criticism so far though I cannot see it usurping my SLR’s but that never was the intention anyway.

Temptations, temptations…

19th August 2009

Pentax K-7

The last time that I went out and bought a new camera was over two years ago and I am minded not to make another purchase for a while. Apart from damage to the battery cover arising from a fall, my Pentax K10D has survived so far without a problem and I admit to being satisfied with the photos that it makes. Following a professional sensor clean, my Canon EOS 10D has been pressed into service over the past few months too. In the meantime, 6 and 10 megapixel sensors generate nowhere near the attention that might have been case a few years back but that’s by the by. In fact, the megapixel race seems to have stalled with features like video being added to stills cameras over the last year and live screens coming to prominence also. Neither would make me rush out to buy a new DSLR anyway, perhaps because having things the old way suits me just fine and megapixel counts never ever moved me in the first place either.

That’s never to say that the likes of Pentax’s K-7 or Canon’s EOS 50D and 5D Mark II don’t capture my attention with their promises of better quality. However, with things the way that they are in the world, I am more likely to hold onto my cash or maybe invest in new photo processing software for making the most of what I already have. Ideas for photography projects creep into my head when I get to looking over my online photo gallery and realise that not have my tastes changed but my photographic eye has developed too. That seeing of things in a new light may mean that old subjects get revisited and I don’t need a new camera to do that.

Olympus E-P1

High end compact cameras such as Canon’s G11 and Ricoh’s GR Digital III do detain attention for a while but a quick look at their prices proves that you really got to need the portability and I never can justify the outlay when a DSLR will do all that I want from it, and perhaps even for less money. While I admit to pondering the purchase of a GR Digital to cover for the EOS 10D while it was away for cleaning, the Pentax came to be acquired when I realised that the versatility of a DSLR was too much to lose, even for a while. Olympus’ E-P1 may have bridged the gap but the old question of going miniature for the price of a full sized article recurs.

All in all, I am going to stick with what I have right now. We are coming to a time of year when things appear more golden and that combination of lighting and colour are what really matters, not how many megapixels is in you camera sensor unless you are making large prints or supplying stock libraries. As long as my cameras continue to deliver pleasing results, I’ll stick with improving my skills and taking my time over that task, even with all the announcements of new cameras at various exhibitions and shows.

Another avalanche of new DSLR’s…

24th January 2008

Pentax K20D

A flurry of new DSLR announcements came out today; they seem to come in droves when they do arrive but I reckon that upcoming photography shows might have something to do with it. Canon replaced its entry level offering with the 12.2 megapixel EOS 450D. Yes, I know that megapixels aren’t everything but a goodly number does make a rather good impression and Canon’s range looks a bit lop-sided again with the entry level DSLR on the surface of it having the potential for recording more detail than the next one up in their range, the EOS 40D. It almost seems that it would have been more sensible to delay the arrival of that camera until after the 450D and give enthusiasts a really impressive option. As it stands, they might end up playing into the hands of Nikon with its D300, a strong contender if I were on the market looking for a DSLR. Pentax displays no such idiosyncrasies with it 10.2 megapixel K200D and 14.6 megapixel K20D, and Samsung has also presented their variant of the latter: the GX200. It will be interesting to see reports of how all of these new arrivals perform. Launches like this do not take long to make your once shiny acquisitions look dated and that fate certainly seems to have befallen my K10D. For some reason, that reminds me that my trusty old EOS 10D needs to be sent away for cleaning, a job that has been on the to do list for while.

A rake of new cameras

30th August 2007

Nikon D300The websites of Amateur Photographer and Tech.co.uk are good places to find out what is happening in the world of digital cameras, which is just as well given the recent camera launching frenzy. It all seemed to start off with Canon’s EOS D40 and EOS 1Ds Mark III. The former seemed to be a case of playing catch up but I still think that Canon should have used the opportunity to pull ahead, at least in the megapixel stakes; Sony is working on a 12 megapixel offering and could be about cause of 12 megapixel sensors becoming the norm for consumer digital SLR’s like they did with the 10 megapixel level. I realise that megapixels aren’t everything but it has seemed to go like that thus far. Playing catch up doesn’t apply to the 1Ds Mk III with its having a monster sensor resolution of 21 megapixels and, needless to say, the improvements to the favoured DSLR of landscape photographers don’t stop there. Nikon were also in the fray with new 12 MP offerings: D300 for the enthusiast and D3 for the professional. The sensor in the latter interestingly features a sensor that sits between full frame and the more usual APS-C sizes. Panasonic have also announced a new DSLR but a number of manufacturers have new digital compacts on the market too. All of the previous makers have something as does Olympus. It was amazing to see this all happening at once but I suppose that’s how it goes. IFA has been on over the last week but some launches preceded this; it’s usually something big like Photokina that results in this sort of thing…

Update: I have discovered since the Nikon’s D3 has a sensor sized in the full frame domain. It might be 36mmx23.9mm rather than 36mmx24mm but the FX format comes extremely close and the advent of full frame DSLR’s being purveyed by a number of manufacturers may be upon us.

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