Technology Tales

Why the delay?

The time to renew my .Net magazine came around and I decided to go for the digital option this time. The main attraction is that new issues come along without their cluttering up my house afterwards. After all, I do get to wondering how much space would be taken up by photos and music if those respective fields hadn’t gone down the digital route. Some may decry the non-printing of photos that reside on hard disks or equivalent electronic storage media but they certainly take up less physical space like that. Of course, ensuring that they are backed up in case of a calamity then becomes an important concern.

As well as the cost of a weekly magazine that I didn’t read as much as I should, it was concerns about space that drove me to go the electronic route with New Scientist a few years back. They were early days for digital magazine publishing and felt like it too. Eventually, I weened myself from NS and the move to digital helped. Maybe trying to view magazine articles on a 17″ screen wasn’t as good an experience as seeing them on the 24″ one that I possess these days.

That bigger screen has come in very handy for Zinio‘s Adobe AIR application for viewing issues of .Net and any other magazine that I happen to get from them. There’s quite a selection on there and it’s not limited to periodicals from Future Media either. Other titles include The Economist, Amateur Photographer, Countryfile, What Car and the aforementioned New Scientist also. That’s just a sample of eclectic selection that is on offer.

For some reason, Future seem to wait a few days for the paper versions of their magazines to arrive in shops before the digital ones become available. To me, this seems odd given that you’d expect the magazines to exist on computer systems before they come off the presses. Not only that but subscribers to the print editions get them before they reach the shops at all anyway. This is the sort of behaviour that makes you wonder if someone somewhere is attempting to preserve print media.

In contrast, Scientific American get this right by making PDF’s of their magazines available earlier than print editions. Given that it takes time for an American magazine to reach the U.K. and Eire, this is a very good thing. There was a time when I was a subscriber to this magazine and I found it infuriating to see the latest issues on newsagent shelves and I still waiting for mine to arrive in the post. It was enough to make me vow not to become a subscriber to anything that left me in this situation every month.

Some won’t pass on any savings with their digital editions. Haymarket Publishing come to mind here for What Car but they aren’t alone. Cicerone, Cumbrian publishers of excellent guidebooks for those seeking to enjoy the outdoors, do exactly the same with their wares so you really want to save on space and gain extra convenience when going digital with either of these. In this respect, the publishers of Amateur Photographer have got it right with a great deal for a year’s digital subscription. New Scientist did the same in those early days when I dabbled in digital magazines.

Of course, there are some who dislike reading things on a screen and digital publishing will need to lure those too if it is to succeed. Nevertheless, we now have tablet computers and eBook readers such as Amazon’s Kindle are taking hold too. Reading things on these should feel more natural than on a vertical desktop monitor or even a laptop screen.

Nevertheless, there are some magazines that even I would like to enjoy in print as opposed to on a screen. These also are the ones that I like to retain for future consultation too. Examples include Outdoor Photography and TGO and it is the content that drives  my thinking here. The photographic reproduction in the former probably is best reserved for print while the latter is more interesting. TGO does do its own digital edition but the recounting of enjoyment of the outdoors surpassed presentation until a few months ago. It is the quality of the writing that makes me want to have them on a shelf as opposed to being stored on a computer disk.

The above thought makes me wonder why I’d go for digital magazines in preference to their print counterparts. Thinking about it now, I am so sure that there is a clear cut answer. Saving money and not having clutter does a have a lot to to with it but there is a sense that keeping copies .Net is less essential to me though I do enjoy seeing what is happening in the world of web design and am open to any new ideas too. Maybe the digital magazine scene is still an experiment for me.

Deauthorising Adobe Digital Editions software

My being partial to the occasional eBook has meant my encountering Adobe’s Digital Editions. While I wonder why the functionality cannot be be included in the already quite bulky Adobe Reader, it does exist and some publishers used it to ensure that their books are not as easily pirated. In my case, it is a certain publisher of walking guidebooks that uses it and I must admit to being a sometime fan of their wares. At first, I was left wondering how they thought that Digital Editions was the delivery means that would ensure that they do not lose out from sharing of copies of eBooks but a recent episode has me seeing what they see.

One of the nice things that it allows is the sharing of eBooks between different computers using your Adobe account. Due to my own disorganisation, I admit to having more than one though I am not entirely sure why I ended up doing that. The result was that I ended entering the wrong credentials intro the Digital Editions instance on my Toshiba laptop and I needed to get rid of them in order to enter the correct ones. It is when you try doing things like this that you come to realise how basic and slimmed down this software is. After a Google search, I encountered the very keyboard shortcut about which even the help didn’t seem to want to tell me: Control+Shift+D. That did the required deauthorisation for me to be able to read eBooks bought and downloaded onto another computer. Maybe Digital Editions does its job to lessen the chances after all. Of course, I cannot see the system being perfect or unbreakable but a lot of our security is there to deter the opportunists rather than the more determined.

Adobe Digital Editions

For now, I still have my eye on Photoshop CS3 and it was with interest that I noticed that Peachpit Press had published a book, entitled Adobe Photoshop CS3: Up to Speed, exploring the changes made from CS2. The plot thickened when I found that I could download as an e-book.

However, it was then that I discovered a major change made to Adobe Reader for its eighth version: it no longer reads what Adobe titles Digital Editions. For that, you need either the previous version or to download the beta version of Adobe Digital Editions (yes, it does rather appear that they couldn’t tie up the final release dates), which appears to be a Flash front end to Reader.

As it happens, I am not so convinced by this development: the thing is in essence coloured black and the mouse pointer disappears a lot of the time. Having menus and navigational screen furniture constantly disappearing and reappearing doesn’t do much to enhance the reputations of Adobe’s user interface designers. It wouldn’t be too bad if you could customise the colours but you can’t; a light grey has to be better than black. Its taking over the whole screen when maximised is another irritation, especially when it covers up your task bar and the Alt+Tab shortcut is needed to leave it without having to hit the minimise button.

Yes, it does do the job but I still find myself hankering after an Adobe Reader style interface and I have no idea why this has been foisted upon us when the previous approach was a perfectly good one. All in all, I have only to say it seems a premature roll-out of the approach. Now, where’s Reader 7 when I need it?