Technology Tales

Adventures in consumer and enterprise technology

TOPIC: IMAGE PROCESSING

Return to Elements

4th April 2007

After a session with Photoshop CS2 and a preview of CS3’s capabilities, I went and got myself a permanent copy of Elements 5 after seeing the similarities between Scott Kelby’s books on Elements 5 and CS2. In any event, I fail to justify the cost of CS2 with CS3 being imminent and the attractions of Elements 5 were too much to ignore. I may yet go for CS3, but I’ll stick with Elements 5 for now.

The similarities between the different members of the Photoshop family are eerie. Once I got used to finding some things in different places from where they are in CS2, I quickly found myself at home in Elements. The biggest miss that I found was the lack of an adjustment layer for editing curves. Otherwise, everything else is as I would hope to find it, and the sliders for curves adjustment in Elements make up for the absence of an associated adjustment layer. Bicubic resampling, an enhancement since Photoshop 7, is as per CS2 and my new workflow worked without too many changes. I took advantage of Kelby’s advice when using Camera Raw and used the Adjust Sharpness feature in place of the Unsharp Mask to get what I perceive to be good results. Everything seemed to work fine for the test digital photo that I was processing for my other blog. I am not totally abandoning my examinations of Elements’ big brother, though; the smart layers feature looks interesting, especially for non-destructive sharpening.

Two versions ago…

26th March 2007

With all the focus that there is on the current version of a long-established piece of software, it is often intriguing to see what it was like a few versions back. And it was with that curiosity that I had a look at Photoshop 7. Needless to say, a lot of the functionality of the current version is there: adjustment layers, saving for the web and so on. That said, I did spot some absences, as one would expect. For instance, the file browser, dropped down by a tab on the main interface, had yet to morph into the standalone Adobe Bridge. Another change has been the resampling choices for resizing; there is no sign of the now prevalent bicubic smoothing and bicubic sharpening. On the Filters menu, there is no sign of Smart Sharpening, the now recommended sharpening technique that upstages the one-time favourite Unsharp Mask. These may appear little things, but little things are often the very items that persuade you that an upgrade is an excellent idea.

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