TOPIC: CANON INC.
A Look at a Compact System Camera
4th September 2013In August, I acquired an Olympus Pen E-PL5, and I'm still getting used to it. Its main appeal was combining SLR functionality with compact camera size. This was an upgrade from my Canon PowerShot G11 without the bulk of a larger camera.
When I considered Canon's EOS M before choosing the E-PL5, I was put off by its slow autofocus. The lack of a mode dial was another concern, though its APS-C sensor and price of around £399 were attractive (and I liked Canon's tendency to overexpose when examining images from an old Canon EOS 10D). After seeing a camera comparison in Practical Photography, I bought that issue. They preferred the similarly priced Olympus Pen E-PM2 over the Canon. Though a Panasonic won the test, I was interested enough in the Olympus to research further. Unlike the E-PM2 and EOS M, the E-PL5 has both a mode dial and extra grip, so I chose it despite the higher price. I had noticed discounted Olympus Pen models before, but this purchase was a more deliberate investment.
Breaking my usual preference for black cameras for variety's sake, I chose the silver E-PL5 from the three available colours (black, silver and white). The body is very compact, with the lens taking up most of the bulk. The standard 14-42 mm zoom means this isn't a shirt-pocket camera, so I bought a black Lowepro Apex 100 AW case. The case fits the camera snugly, making me wonder if I should have chosen a larger one, but it's working well. To protect the lens during outings, I also added a 37 mm Hoya HMC UV filter. The lens's plastic construction extends further than I expected and doesn't fully retract into its housing like some of my Sigma lenses.
On my first test run, I needed to work out how to hold the camera. My Canon PowerShot G11's powered zoom and autofocus made it more intuitive to hold, as was true for any SLR I've used. Holding the small body while adjusting the zoom lens was awkward at first. Eventually, I learned to steady the body with my right thumb (the curved thumb grip on the back holds a thumb vertically) while freely adjusting the lens with my left hand. An electronic viewfinder instead of the screen would have made things easier, but they're expensive, and I had already spent enough.
After learning to hold the camera, I needed to adjust to its exposure characteristics. From my experience, it tends to overexpose. Though I set it to store raw (ORF) files that can be fixed later, I prefer more control during capture. Also, I haven't found a spot or partial metering button like those on my SLR or G11. This means either using exposure compensation with aperture priority mode or switching to fully manual exposure. Other familiar modes are available (shutter priority, program, automatic, etc.). While getting familiar with the camera, I'm using bracketing after setting ISO to 400, increasing screen brightness and adding histograms to playback views. As my grip becomes more secure, I'm using the dial to adjust settings like aperture (f/16 remains my favourite despite what others think about micro four thirds sensor size) and compensation, keeping scenes consistent to test the camera's response to changes.
Though I'm still learning, I'm seeing pleasing results that encourage me to continue; some remind me of my Pentax K10D. The E-PL5 is slower to use than the G11, but that's often beneficial for photography. Being forced to slow down in our hectic world is another advantage. The G11 is seeing less use now, with sunny days offering chances for more experimentation and familiarisation. My introduction to compact system cameras has shown they're very different from compact fixed lens cameras or SLRs. Neither type is truly replaced; instead, a new category has emerged.
Three gone...
11th January 2013As of today, Jessops no longer continues to trade. It is but a third specialist purveyor of photographic equipment to go this way. Jacobs, another Leicester headquartered competitor, met the same fate as did the Wildings chain in the northwest of England. These were smaller operations than Jessops who may have overreached itself during the boom years and certainly had their share of financial troubles in recent times, the latest of which putting an end from the operation.
Many are pondering what is happening, and the temptation is to blame the rise of the e-commerce and the economic situation for all of this. In addition, I have seen poor service blamed. However, where are we going to go now after this? Has photography become such a specialised market that you need a diversified business to stick with it? After all, independent retailers have been taking a hammering too and some have gone out of business, like the chains that I have mentioned here.
It does raise the question as to where folk engaging in a photographic purchase are going to go for advice now; is the web sufficiently beginner-friendly? There seemingly will be fewer bricks and mortar shops out there for anyone, so coming across one-to-one advice as once would have been the case is looking harder than it once was. Photographic magazines will help, and the web has a big role to play too. It certainly informed some of my previous purchases, but I have been that little bit more serious about my photography for a while now.
It might be that photography is becoming more specialist again after a period when the advent of digital cameras caused an explosion in interest. Cameras on mobile phones are becoming ever more capable and cannibalising the compact camera market for those only interested in point and shoot machinery. Maybe that is where things are going in that mass market photography doesn't offer the future that it once might have done given the speed of technological advance. The future and present undoubtedly are about as interesting as they have become utterly uncertain.
Thinking over the last ten years or so, there has been a lot of change and that seems set to continue, even if I am left wondering if photography has shot its bolt by now. My first SLR came from a Stockport branch of Jessops and was a film camera, a Canon EOS SLR. It certainly got me going and was exchanged for a Canon EOS 30 from Ffordes, an internet transaction during which the phone system around Manchester and Cheshire went on the blink. That outage may have exposed a frailty of our networked world, but there has been no fire to melt cables in a tunnel since then. Further items from Jessops came via the same channel, such as a Manfrotto 055 tripod and my Pentax K10D. A Canon-fit 28-135 mm Sigma came from Jessops' then Manchester Deansgate store and another Canon-fit Sigma lens, a 70-300 mm telephoto affair, came from another branch of the chain, although not the Macclesfield branch since that had yet to be established and there's no photographic store left in the town now after the Jessops and Wildings closures.
Those purchases have become history, just like the photographic retail chain from which they were sourced. These days, I am more than comfortable with making dealings over the web, but that concern about those starting out that I expressed earlier now remains. Seeing how that would work is set to become interesting. Might it limit the take-up of photography on a more serious basis? That is a question that could get a very interesting answer as we continue into ever more uncertain times.
Amateur Photographer reviews…
19th July 2007Amateur Photographer seems to have had a run of reviews recently. First off were the Olympus E-410 and E-510 that they seemed to like. Then, they moved onto the Ricoh Caplio GX100, which they seemed to like that too, though they did say that the quality wasn't up to SLR standards. But then again, it is a compact and that might be expecting a bit too much.
This week, Paint Shop Pro comes under the spotlight, as does Epson's V350 scanner. While I have yet to read these, I have been engaging in a spot of equipment acquisition anyway. My CanoScan 5000F scanner has been usurped by Epson's Perfection Photo 4490 and very happy I am with it too. The quality of the scans that I have been doing of prints has been good, and the presence of an on/off switch is a creditable one. When none of the other scanners that I have had possessed it, having to plug something in and out from the power socket is inconvenient to say the least.
In addition, I have also gone and got myself a new DSLR. Seeing Pentax's K10D going with an 18-55 mm lens for £499 at Jessop's overrode my better reasoning, putting paid to ideas of purchasing any other electronic goods for the rest of this year. It's an award-winning gadget, and Photography Monthly's Will Cheung seemed to get on fine with it. While Which Digital Camera said it was heavy, it has to stand up to use in the great outdoors.
Though the sensor may be a 10 megapixel affair, this will be an upgrade to my Canon EOS 10D; that has a sensor in need of clean right now (I plan to get it done by the professionals) and every time that I want to use an image that it has made, Photoshop's healing brush has to be pressed into service. Pentax does boast about all the seals that it has added to the K10D, a good thing if they cut down on the dust entering the camera. And if dust does get in, the sensor cleaning feature will hopefully see it off from the photos.
Image stabilisation, another value adding feature, is also there and may prove interesting. Strangely, there's some video capture as well, and I hope that it doesn't get the EU coming after me to collect retrospective camcorder duty. In any case, it's not a feature that I really need, with the Live View functions on the equivalent Olympus offerings falling into the same category. It'll be interesting to see how the K10D performs, given that it's a change from the Canon/Nikon hegemony that seems to dominate digital photography these days.
Update: I have since perused the current issue of Amateur Photographer and seen that Paint Shop Pro suffered from performance issues on computers that worked fine with Photoshop. Otherwise, it compared well with Adobe's offerings, even if the interface wasn't seen to be as slick. Epson's V350 was well received, though it was apparent that spending more got you a better scanner; that's always the way with these things.
Trouble with my Canon CanoScan 5000F
26th June 2007Having had my Canon CanoScan 5000F scanner for nearly four years now, it has performed faultlessly until yesterday. However, it has now developed a fault that may hasten its replacement, and I have to say that my eye is on Epson's Perfection V350 Photo. Looking on the web, I did find scanners hidden away and that the selection available wasn't what I might have expected it to be. Maybe, the digital photography revolution has made the humble scanner a less essential item. And the fault? Scan results are featuring an unacceptably strong magenta cast. In fact, the first scans result in nothing except pitch black, though allowing things to stay on for a while does improve things. That suggests a hardware fault to me. I have raised the issue with Canon and will await their reply, even though it is stopping me from adding any new photos to my online photo gallery. If Canon comes back to me with the "uneconomical to repair" response, I will be ready to go out and buy the Epson. Time will tell with this one...
Update 1: A spot of further exploration has left me wondering if it is the lamp that's on the way out. If that's replaceable at a reasonable price, then the CanoScan might live on after a spot of repair.
Update 2: Canon's advice included reinstalling the scanner driver and, surprisingly given the symptoms, that seems to have helped. While I'll continue to keep an eye on things, it looks like I'll be hanging onto my money for now.