23rd April 2023
With Windows 10 support to end in October 2025 and VirtualBox now offering full support for Windows 11, I have moved onto Windows 11 for personal use while retaining Windows 10 for professional work, at least for now. Of course, a lot could happen before 2025 with rumours of a new Windows version, the moniker Windows 12 has been mooted, but all that is speculation for now.
As part of the changeover, I moved the Adobe apps that I have in an ongoing subscription, Lightroom Classic and Photoshop are the main ones for me, to the new virtual machine. That meant that some settings from the previous one were lost and needed reinstating.
One of those was the persistence of Library Filters, so I had to find out how to get that sorted. If my memory is not fooling me, this seemed to be a default action in the past, and that meant that I was surprised by the change in behaviour.
Nevertheless, I had to go to the File menu, select Library Filters (it is near the bottom of the menu in the current version at the time of writing) and switch on Lock Filters by clicking on it to get a tick mark preceding the text. There is another setting called Remember Each Source's Filters Separately in the same place that can be set in the same manner if so desired, and I am experimenting with that at the moment, even though I have not bothered with this in the past.
25th November 2022
Earlier in the year, I upgraded my monitor to a 34-inch widescreen Iiyama XUB3493WQSU. At the time, I was in wonderment at what I was doing, even if I have grown used to it now. For one thing, it made the onscreen text too small, so I ended up having to scale things up in both Linux and Windows. The former turned out to be more malleable than the latter, and that impression also applies to the main subject of this piece.
What I also found is that I needed to scale the user interface font sizes within Adobe Lightroom Classic running within a Windows virtual machine on VirtualBox. That can be done by going to Edit > Preferences through the menus and then going to the Interface tab in the dialogue box that appears where you can change the Font Size setting using the dropdown menu and confirm changes using the OK button.
However, the range of options is limited. Medium appears to be the default setting, while the others include Small, Large, Larger and Largest. Large scales by 150%, Larger by 200% and Largest by 250%. Of these, Large was the setting that I chose, though it always felt too big to me.
Out of curiosity, I decided to probe further, only to find extra possibilities that could be selected by direct editing of a configuration file. This file is called Lightroom Classic CC 7 Preferences.agprefs and can be found in C:\Users\[user account]\AppData\Roaming\Adobe\Lightroom\Preferences. In there, you need to find the line containing AgPanel_baseFontSize and change the value enclosed within quotes and save the file. Taking a backup beforehand is wise, even if the modification is not a major one.
The available choices are scale125, scale140, scale150, scale175, scale180, scale200 and scale250. Some of these may be recognisable as those available through the Lightroom Classic user interface. In my case, I chose the first on the list, so the line in the configuration file became:
AgPanel_baseFontSize="scale125"
While there may be good reasons for the additional options not being available through the user interface, things are working out OK for me for now. It is another tweak that helps me to get used to the larger screen size and its higher resolution.
17th April 2018
Photo editing has been something that I have been doing since my first-ever photo scan in 1998 (I believe it was in June of that year but cannot be completely sure nearly twenty years later). Since then, I have been using a variety of tools for the job and wondered how other photos can look better than my own. What cannot be excluded is my preference for being active in the middle of the day when light is at its bluest, as well as a penchant for using a higher ISO of 400. In other words, what I do when making photos affects how they look afterwards as much as the weather that I had encountered.
My reason for mentioning the above aspects of photographic craft is that they affect what you can do in photo editing afterwards, even with the benefits of technological advancement. My tastes have changed over time, so the appeal of re-editing old photos fades when you realise that you only are going around in circles and there always are new ones to share, so that may be a better way to improve.
When I started, I was a user of Paint Shop Pro but have gone over to Adobe since then. First, it was Photoshop Elements, but an offer in 2011 lured me into having Lightroom and the full version of Photoshop. Nowadays, I am a Creative Cloud photography plan subscriber, so I get to see new developments much sooner than once was the case.
Even though I have had Lightroom for all that time, I never really made full use of it and preferred a Photoshop-based workflow. Lightroom was used to select photos for Photoshop editing, mainly using adjustments for such things as tones, exposure, levels, hue and saturation. Removal of dust spots, resizing and sharpening were other parts of a still minimalist approach.
What changed all this was a day spent pottering about the 2018 Photography Show at the Birmingham NEC during a cold snap in March. That was followed by my checking out the Adobe YouTube Channel afterwards, where there were videos of the talks featured every day of the four-day event. Here are some shortcuts if you want to do some catching up yourself: Day 1, Day 2, Day 3, and Day 4. Be warned though that these videos are long in that they feature the whole day and there are enough gaps that you may wish to fast-forward through them. Even so, there is quite a bit of variety of things to see.
Of particular interest were the talks given by the landscape photographer David Noton who sensibly has a philosophy of doing as little to his images as possible. It helps that his starting points are so good that adjusting black and white points with a little tonal adjustment does most of what he needs. Vibrancy, clarity and sharpening adjustments are kept to a minimum, while some work with graduated filters evens out exposure differences between skies and landscapes. It helps that all this can be done in Lightroom, so that set me thinking about trying it out for size, and the trick of using the backslash (\) key to switch between raw and processed views is a bonus granted by non-destructive editing. Others may have demonstrated the creation of composite imagery, but simplicity is more like my way of working.
It is confusing that we now have cloud-based Lightroom CC, while the previous desktop version is called Lightroom Classic CC. Although the former offers easy dust spot removal and other features, I prefer the latter because I do not want to upload my entire image library, and I already use Google Drive and Dropbox for off-site backup. The mobile app is interesting since it allows capturing images on mobile devices in Adobe's raw DNG format. My workflow is now more Lightroom-based than before, and I appreciate the new technology, especially as Adobe develops its Sensai artificial intelligence engine. Because Adobe has access to numerous images through Lightroom CC and Adobe Stock (formerly Fotolia), it has abundant data to train this AI system.
28th March 2007
Last night, I sat through part of Adobe’s CS3 launch and must admit that I came away intrigued. Products from the Macromedia stable have been very much brought under the Adobe umbrella and progressed to boot. One of these that attracts my interest in Dreamweaver and Adobe is promoting its AJAX capabilities (using the Spry library), its browser compatibility checking facility and integration with Photoshop, among other things. Dreamweaver’s CSS support also gets taken forward. In addition, Dreamweaver can now integrate with Adobe Bridge and Adobe Device Central. The latter allows you to preview how your site might look on a plethora of WAP-enabled mobile phones while the latter, unless I have been missing something, seems to have become a media manager supporting all of CS3 and not just Photoshop.
Speaking of Photoshop, this now gets such new features as smart filters, I think of these as adjustment layers for things like sharpening, monochrome conversion and much more. Raw image processing now has a non-destructive element with Photoshop Lightroom being touted as a companion for the main Photoshop. Speaking of new additions to the Photoshop family, there is a new Extended edition for those working with digital imaging with a 3D aspect and this is targeted at scientists, engineers, medical professionals and others. It appears that data analysis and interpretation is becoming part of the Photoshop remit now as well.
Dreamweaver and Photoshop are the components of the suite in which I have most interest, while I also note that the Contribute editor now has blogging capabilities; it would be interesting to see how these work, especially given Word 2007’s support for blogging tools like WordPress and Blogger. Another member of note is Version Cue, adding version control to the mix and making CS3 more like a group of platforms than collections of applications.
Unsurprisingly, the changes are rung out for the rest of the suite with integration being a major theme and this very much encompasses Flash too. The sight of an image selection being copied straight into Dreamweaver was wondrous in its own way and the rendering of Photoshop files into 3D images was also something to behold. The latter was used to demonstrate the optimisations that have been added for the Mac platform, a major selling point, apparently.
I suppose that the outstanding question is this: do I buy into all of this? It’s a good question because the computer enthusiast seems to be getting something of a sidelining lately. And that seems to be the impression left by Windows Vista, it gives the appearance that Microsoft is trying to be system administrator to the world. There is no doubt but CS3 is very grown up now and centred around work flows and processes. These have always been professional tools, with the present level of sophistication and pricing* very much reflecting this. That said, enthusiasts like me have been known to use them too, at least for learning purposes. The latter point may yet cause me to get my hands on Photoshop CS3 with its powerful tools for digital imaging, while Dreamweaver is another story. Given it doesn’t fit what how I work now, this is an upgrade that I may give a miss, as impressive as it looks. For a learning experience, I might download a demo, but that would a separate matter from updating my web presence. This time next month may tell a tale…
*Pricing remains the bugbear for the U.K. market that it always has been. At the present exchange rates, we should be getting a much better deal on Adobe products than we do. For instance, Amazon.com has the Web Premium CS3 suite from Macromedia Studio 8 priced at $493.99 while it is £513.99 on Amazon.co.uk. Using the exchange rate current as I write this, £1 buying $1.96605, the U.K. price is a whopping $1010.53 in U.S. terms. To me, this looks like price gouging and Microsoft has been slated for this too. Thus, I wonder what will be said to Adobe on this one.
16th March 2007
We have seen the beta come out, an unprecedented move for Adobe, and now we are hearing about the new professional editions of Photoshop: Photoshop CS3 for digital imaging and Photoshop CS3 Extended with tools for processing digital video. Together with Photoshop Lightroom for digital photography and Photoshop Elements for the consumer market, it appears that Photoshop is moving from a single application to becoming a big family of them. Adobe is hosting an online launch for the CS3 suite on March 27th so the appearance on the market of the new Photoshop must be very imminent. In the light of this, I think I’ll hold off on a decision to purchase either Elements 5 or its CS2 until I have tried out the latter’s successor.
Update: I’ve just perused both .Net’s and Advanced Photoshop’s initial appraisals of Photoshop CS3. Since they seemed impressed, it should be worth a look then. Another tempting idea is to have a taste of Lightroom, so I went and downloaded the 30-day trial version. I may well have a go with it in my own time; I’m not wanting to install it and let the 30 days run out before I get to use it in anger.