Tag Archive for Photography

Why the delay?

September 17, 2011 No comments

The time to renew my .Net magazine came around and I decided to go for the digital option this time. The main attraction is that new issues come along without their cluttering up my house afterwards. After all, I do get to wondering how much space would be taken up by photos and music if those respective fields hadn’t gone down the digital route. Some may decry the non-printing of photos that reside on hard disks or equivalent electronic storage media but they certainly take up less physical space like that. Of course, ensuring that they are backed up in case of a calamity then becomes an important concern.

As well as the cost of a weekly magazine that I didn’t read as much as I should, it was concerns about space that drove me to go the electronic route with New Scientist a few years back. They were early days for digital magazine publishing and felt like it too. Eventually, I weened myself from NS and the move to digital helped. Maybe trying to view magazine articles on a 17″ screen wasn’t as good an experience as seeing them on the 24″ one that I possess these days.

That bigger screen has come in very handy for Zinio‘s Adobe AIR application for viewing issues of .Net and any other magazine that I happen to get from them. There’s quite a selection on there and it’s not limited to periodicals from Future Media either. Other titles include The Economist, Amateur Photographer, Countryfile, What Car and the aforementioned New Scientist also. That’s just a sample of eclectic selection that is on offer.

For some reason, Future seem to wait a few days for the paper versions of their magazines to arrive in shops before the digital ones become available. To me, this seems odd given that you’d expect the magazines to exist on computer systems before they come off the presses. Not only that but subscribers to the print editions get them before they reach the shops at all anyway. This is the sort of behaviour that makes you wonder if someone somewhere is attempting to preserve print media.

In contrast, Scientific American get this right by making PDF’s of their magazines available earlier than print editions. Given that it takes time for an American magazine to reach the U.K. and Eire, this is a very good thing. There was a time when I was a subscriber to this magazine and I found it infuriating to see the latest issues on newsagent shelves and I still waiting for mine to arrive in the post. It was enough to make me vow not to become a subscriber to anything that left me in this situation every month.

Some won’t pass on any savings with their digital editions. Haymarket Publishing come to mind here for What Car but they aren’t alone. Cicerone, Cumbrian publishers of excellent guidebooks for those seeking to enjoy the outdoors, do exactly the same with their wares so you really want to save on space and gain extra convenience when going digital with either of these. In this respect, the publishers of Amateur Photographer have got it right with a great deal for a year’s digital subscription. New Scientist did the same in those early days when I dabbled in digital magazines.

Of course, there are some who dislike reading things on a screen and digital publishing will need to lure those too if it is to succeed. Nevertheless, we now have tablet computers and eBook readers such as Amazon’s Kindle are taking hold too. Reading things on these should feel more natural than on a vertical desktop monitor or even a laptop screen.

Nevertheless, there are some magazines that even I would like to enjoy in print as opposed to on a screen. These also are the ones that I like to retain for future consultation too. Examples include Outdoor Photography and TGO and it is the content that drives  my thinking here. The photographic reproduction in the former probably is best reserved for print while the latter is more interesting. TGO does do its own digital edition but the recounting of enjoyment of the outdoors surpassed presentation until a few months ago. It is the quality of the writing that makes me want to have them on a shelf as opposed to being stored on a computer disk.

The above thought makes me wonder why I’d go for digital magazines in preference to their print counterparts. Thinking about it now, I am so sure that there is a clear cut answer. Saving money and not having clutter does a have a lot to to with it but there is a sense that keeping copies .Net is less essential to me though I do enjoy seeing what is happening in the world of web design and am open to any new ideas too. Maybe the digital magazine scene is still an experiment for me.

PC Magazines, Software

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Sometimes, a firmware update is in order

February 28, 2011 No comments

After a recent trip to Oxford, I have started to mull over adding a longer lens (could make more distant architectural detail photos a possibility) to complement my trusty Sigma 18-125mm f/3.8-5.6 DC HSM zoom lens that now is entering approaching its third year in my hands. While I have made no decision about the acquisition of another lens, there are some tempting bargains out there, it seems. However, the real draw on my attention is the lack of autofocus with the aforementioned Sigma and I now find it hard to believe that I was blaming the manufacturer for no keeping up with Pentax when it really was the other way around. A bit of poking around on the web revealed that all that I needed to do was download a firmware update from the Pentax website. While being slowed down by the lack of autofocus cannot have done bad things for my photography, I still wonder at why I didn’t try updating the camera for as long as I have.

In the file for updating my K10D, there was a README file containing the instructions for carrying out the update with the included binary file that was set to take the camera from version 1.00 to 1.30 (hold down the Menu button while starting the camera to see what you have). In summary, both files were copied onto an SD card that was inserted into the camera and it turned off. The next step was to power up the camera with the menu button held down to start the update. To stop erroneous updates, there is an “Are you sure?” style Yes/No menu popped up before anything else happens. Selecting Yes sets things into motion and you have to wait until the word “COMPLETE” appears in the bottom left corner before turning the camera and removing the card. Now that I think of it, I should have checked the battery before doing anything because the consequences of losing power in the middle of what I was doing would have been annoying, especially with my liking the photographic results produced by the camera.

Risk taking aside, the process was worth its while with HSM now working as it should have done all this time. It seems quiet and responsive too from my limited tests to date. Even better, the autofocus doesn’t hunt anywhere near as much as the 18-55 mm Pentax kit lens that came with the camera. The next decision is whether to stick  with my manual focussing ways or lapse into trusting autofocus from now on though my better reason is to stick with the slower approach unless the subjects are fast. Now that I think of it, train and bus photos for my transport website have become a whole lot easier as have any wildlife photos that I care to capture. Speaking of the latter brings me back to that telephoto quandary that I mentioned at the beginning. Well, there’s a tempting Sigma 50-200 mm that has caught my eye…

Photographic Equipment

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A bigger screen?

February 23, 2010 No comments

A recent bit of thinking has caused me to cast my mind back over all the screens that have sat in front of me while working with computers over the years. Well, things have come a long way from the spare television that I used with a Commodore 64 that I occasionally got to exploring the thing. Needless to say, a variety of dedicated CRT screens ensued as I started to make use of Apple and IBM compatible PC’s provided in computing labs and other such places before I bought an example of the latter as my first ever PC of my own. That sported a 15″ display that stood out a little in times when 14″ ones were mainstream but a 17″ Iiyama followed it when its operational quality deteriorated. That Iiyama came south with me from Edinburgh as I moved to where the work was and offered sterling service before it too started to succumb to aging.

During the time that the Iiyama CRT screen was my mainstay at home, there were changes afoot in the world of computer displays. A weighty 21″ Philips screen was what greeted me on a first day at work but 21″ Eizo LCD displays were set to replace those behemoths and remain in use as if to prove the longevity of LCD panels and the validity of using what had been sufficient for laptops for a decade or so. In fact, the same comment regarding reliability applies to the screen that now is what I use at home, a 17″ Iiyama LCD panel (yes, I stuck with the same brand when I changed technologies longer ago than I like to remember).

However, that hasn’t stopped me wondering about my display needs and it’s screen size that is making me think rather than the reliability of the current panel. That is a reflection on how my home computing needs have changed over time and they show how my non-computing interests have evolved too. Photography is but one of these and the move the digital capture has brought with a greater deal of image processing, so much that I wonder if I need to make less photos rather than bringing home so many that it can be hard to pick out the ones that are deserving of a wider viewing. That is but one area where a bigger screen would help but there is another and it arises from my interest in exploring countryside on foot or on my bike: digital mapping. When planning outings, it would be nice to have a wider field of view to be able to see more at a larger scale.

None of the above is a showstopper that would be the case if the screen itself was unreliable so I am going to take my time on this one. The prospect of sharing desktops across two screens is another idea but that needs some thought about where it all would fit; the room that I have set aside for working at my computer isn’t the largest but it’ll need to do. After the space side of things, then there’s the matter of setting up the hardware. Quite how a dual display is going to work with a KVM setup is something to explore as is the adding of extra video cards to existing machines. After the hardware fiddling, the software side of things is not a concern that I have because of when I used laptop as my main machine for a while last year. That confirmed that Windows (Vista but it has been possible since 2000 anyway…) and Ubuntu (other modern Linux distributions should work too…) can cope with desktop sharing out of the box.

Apart from the nice thoughts of having more desktop space, the other tempting side to all of this is what you can get for not much outlay. It isn’t impossible to get a 22″ display for less than £200 and the prices for 24″ ones are tempting too. That’s a far cry from paying next to £300 (if my memory serves me correctly) for that 17″ Iiyama and I’d hope that the quality is as good as ever.

It’s all very well talking about pricing but you need to sit down and choose a make and model when you get to deciding on a purchase. There is plenty of choice so that would take a while but magazine reviews will come in handy here. Saying that, last year’s computing misadventures have me questioning the sense of going for what a magazine places on its A-list. They also have me minded to go to a nearby computer shop to make a purchase rather than choosing a supplier on the web; it is easier to take back a faulty unit if you don’t have far to go. Speaking of faulty units, last year has left me contemplating waiting until the year is older before making any acquisitions of computer kit. All of that has put the idea of buying a new screen on the low priority list, nice to have but not essential. For now, that is where it stays but you never know what the attractions of a shiny new thing can do…

Hardware

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A new acquisition

January 16, 2010 No comments

Back in the early days of this blog, I mulled over the idea of having a high-end digital compact camera to complement a DSLR that then was delivering very dusty images; that Canon EOS 10D was cleaned since then and comes in for occasional use to this day. That was nearly three years ago and a first generation Ricoh GR Digital was the item that then was catching my eye. At the time, I failed to justify spending that much money on such a thing and ended up acquiring a new Pentax K10D DSLR instead. The question that rattled about my head was this: what was the point of spending DSLR money on a compact camera? Its one that never really went away and comes to mind when you see the prices of interchangeable lens compacts like Olympus’ Pen and equivalent offerings from Panasonic and Ricoh (there, it’s interchangeable lens units rather than actual lenses).

The strongest counterpoint to the cost conundrum is the little matter of size. SLR (film or digital) cameras are sizeable things and there is a place for having something that drops into a pocket. It is that which has propelled me into taking delivery of a Canon PowerShot G11. It may need a good-sized pocket but, unless you are going out with no jacket, it shouldn’t be a problem most of the time. For those shorter sorties when I don’t fancy bringing an SLR out, it well-built and looks the business though some acclimatisation is in order to make the best of the knobs, buttons and menus. Nevertheless, the included manual will help with this process (there’s a paper quick start guide and more detailed documentation on CD).

Canon PowerShot G11

The camera hasn’t seen extensive use just yet so here are a few early impressions. Firstly, there’s the matter of size: it’s even smaller than the first camera that I ever bought (more than fifteen years ago) and that was a Ricoh 35 mm compact film camera. That comparison is even more striking when you consider the feature sets. The Ricoh was a fixed 35 mm lens affair with things like date and time stamping, ISO choice and a nod towards scenic mode selection. In contrast, the much newer Canon is loaded with the sorts of things that normally are found almost exclusively on SLR’s, starting with its effective 28-140 mm focal length range.

Exposure modes such as manual, aperture priority and shutter priority complement scene-based modes and another for movies (not a concern of mine, it has to be said). As if that weren’t enough, there’s exposure compensation too. It came as a surprise to me to find a form of manual focussing included though it is not as convenient as turning a focussing ring on a lens. You can see the inbuilt flash above but there’s also a hotshoe and a place to attach a tripod too. Settings like white balance and file format are accessed using the Function/Set button with the lever underneath the shutter release button controlling the focal length of the lens. In addition, there’s also image stabilisation and that’s important when you’re using live view to compose a photo. Spot metering and focal point selection are other things that find their way into the package. Some may be excited by other things but exposure and focussing are essential for any photographic efforts.

An optical viewfinder is included and it has dioptre settings too but my first impressions are that live view though the rear screen trumps it and I see no need for such things on SLR’s. That also flips out from the camera body and can be rotated either for self-portraiture or for folding back in on the camera body for use like a non-articulated screen. Another use is with those occasions when the subject means holding the camera in positions that would be impossible with a conventional screen; holding the camera over your head or down low on the ground are the sorts of situations that come to mind.

Of course, there’s more there than those features that I have listed and the specifications on the Canon website are as good a place to start as any. So far, my only testing has been of the cursory checks variety and to make sure that the thing works properly. Still, this has given me more of a feel for the camera and how it operates. As you’d expect, high ISO settings are noisy but a bigger surprise was that the smallest aperture setting is f/8. Being used to SLR’s, I was expecting to get f/16 and its like on there but a spot of internet investigation showed that I should have been taking the size of the sensor into account with my expectations. Any trials so far have been in dull weather so I’d need to use it in a wider variety of conditions before giving it the sort of wider appraisal that you’d find in the likes Outdoor Photography (who liked it, it has to be said). For what it’s worth, I have found no major criticism so far though I cannot see it usurping my SLR’s but that never was the intention anyway.

Imaging, Photographic Equipment

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Another avalanche of new DSLR’s…

January 24, 2008 No comments

Pentax K20D

A flurry of new DSLR announcements came out today; they seem to come in droves when they do arrive but I reckon that upcoming photography shows might have something to do with it. Canon replaced its entry level offering with the 12.2 megapixel EOS 450D. Yes, I know that megapixels aren’t everything but a goodly number does make a rather good impression and Canon’s range looks a bit lop-sided again with the entry level DSLR on the surface of it having the potential for recording more detail than the next one up in their range, the EOS 40D. It almost seems that it would have been more sensible to delay the arrival of that camera until after the 450D and give enthusiasts a really impressive option. As it stands, they might end up playing into the hands of Nikon with its D300, a strong contender if I were on the market looking for a DSLR. Pentax displays no such idiosyncrasies with it 10.2 megapixel K200D and 14.6 megapixel K20D, and Samsung has also presented their variant of the latter: the GX200. It will be interesting to see reports of how all of these new arrivals perform. Launches like this do not take long to make your once shiny acquisitions look dated and that fate certainly seems to have befallen my K10D. For some reason, that reminds me that my trusty old EOS 10D needs to be sent away for cleaning, a job that has been on the to do list for while.

Photographic Equipment

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More digital than film?

October 26, 2007 No comments

Despite the rampant progress of digital photography, I have continued to stick with film and sit astride the fence. That is something that I wish to continue but my most recent trips into the outdoors have seen me use my Pentax K10D exclusively. That, however, could be something to do with the subject matter. My most recent trot took me into what might be described as featureless moorland, a tricky subject to capture in the best way. So, possibly because of the lesser likelihood of success, I stuck with digital since any lack of success costs less. Previous trips took me out and about locally where I live and I seem to be more likely to use digital, possibly because I have been around the area a lot with my film camera anyway. Also, the vistas, as pleasant as they are, do not possess the drama of the likes of Highland Scotland, the English Lake District, or the mountainous parts North Wales.

That does lead to the impression that I am keeping film for the new and dramatic stuff and it may be true. it is, however, not entirely deliberate and I will continue to take both digital and film cameras with me on my excursions. My reason for taking a DSLR is that I want to put some photos into my posts on my outdoors blog and the world of digital easily speeds that process; my laggardness with getting films processed would add to the time taken too. And film? There is still a certain something about getting a print done for a photo album and the process does force me to print my photos, something that is not a compulsion in the digital world. There is also a greater feeling of permanance with film, a format that has been with us in its various guises for over a hundred years. With the pace of change in the world of computing, would the likes of DNG hold its own for that long?

Photographic Equipment

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