Tag Archive for Pentax

A new phone

After a few years with a straightforward Nokia 1661 and a PAYG Blackberry 8520, I decided to go and upgrade from the former to an HTC Wildfire S. So far, the new phone has been good to me with only a few drawbacks. Other than working out how to insert a SIM card, the phone has been easy to use with just a few nuances to learn, such as finger pinch zooming and dealing with an onscreen keyboard as opposed to a real one.

The touchscreen interface and the 3G capability are the big changes from my Blackberry and both make web browsing so much faster too, especially with the larger screen. For instance, checking RSS feeds with Google Reader and emails is so much faster on the move with the screen being very responsive most of the time that I am using it; it does get dirty like others so either a screen cover or frequent cleaning with a camera lens cloth would be no bad thing. The onscreen keyboard remains something to which I need to grow accustomed and probably is the one area where the Blackberry continues to hold sway though turning the phone sideways and tapping it on the side to change orientation helps a lot. That makes the keys larger and, while my finger are not the thickest, there are fewer cases of hitting the wrong key. Even then, you need to get used to switching between alphabet and numeric keyboards and that applies also when you need punctuation marks like commas and so on.

Otherwise, the user interface is bright and pleasing to the eye with the typical presentation of both a clock and current weather on there. Handily, the screen is locked easily too with a press of the button at the top right of the phone. That will put a stop to inadvertent phone calls, emailing, web browsing and other things so it is to be commended. To unlock the screen, all that’s needed is to swipe the lock bar to the bottom. Any alerts are viewed in a similar way with holding down your finger on the top bar presenting an extension that can be pulled all of the way down to see what’s there.

With an icon for the Android Marketplace on the main screen, I got to adding a few apps and you can set these to update automatically too but you need to watch your phone contract’s data allowance. The one for WordPress works better than it does on my Blackberry but it seems that retweeting with UberSocial is much less good on the Android platform. For one thing, feeds for all accounts are presented on the one screen and swiping left to right is needed for replying, retweeting and other operations and that’s not working out so smoothly for me yet. Maybe I’ll try an alternative. There are others that I have downloaded too and these include one from CrossCountry Trains and that seems to be a nice offering even if it failed to find trains between Macclesfield and Edale of a Sunday morning. For those omissions, I have an alternative in place and I also have the LinkedIn app too. That seems to work well too. Usefully, it is possible to move these to the phones microSD card to avoid filling up the limited space that’s on offer. However, that isn’t to say that I will be going mad on these things.

Of course, any phone should be good at making and taking phones and the Wildfire seems to be doing well on this score too. Firstly, contacts were read from the SIM but they can be transferred from an old phone using Bluetooth connections too. Sound is good and loud though you need to be on a call to adjust the speaker volume with the rocker button on the side of the phone. Otherwise, that just changes the volume of the ring tone. Without any adjustments, the phone seems to vibrate and ring at the same time though that may be something that I get to changing in time. The pings emitted when new text messages, emails or tweets fall into the same category.

If there’s any downside to this phone, it has to be battery life. Unlike others that I have had, this is a phone that needs charging every night at the very least. Maybe that’s the price of having a nice bright responsive screen but it would be no harm if it lasted longer. Others have found the same thing and reported as much on the web though some have having worse experiences than others. There are some hints regarding how to conserve battery life but they include such things as switching off 3G or data capabilities and neither appeal to me; after all, I might as well use my old Nokia if this is all that can be offered. Instead, I am wondering if acquiring a spare battery might be no bad idea because that’s what I do for my Pentax DSLR (note in passing: I haven’t got to using the phone’s own camera but recent wintry weather had me tempted by the idea, especially with the likes of Twitpic and YFrog out there.). Taking things further, others have mentioned getting a larger capacity replacement but that sounds more risky.

All in all, first impressions of the HTC Wildfire are good ones. Over time, I should find out more about the ins and outs of the gadget. After all, it is a mini-computer with its own operating system and other software. Since I continue to learn more and more about PC’s everyday, the same should be the case here too.

Dispensing with temptation

The compact system camera arena is a burgeoning one with many manufacturers having followed Olympus into the fray. In latter months of last year, Nikon finally took the plunge though Canon have yet to do the same. Seeing offers on Olympus E-PL1 kits with a 14-42 mm zoom lens had me tempted, particularly with a price tag of the order of £250. In fact, I even got to looking into the competition too and a shortlist emerged. This also featured the Samsung NX-11 and the Sony NEX-C3 as well as the big brother of the latter, the NEX-5N.

What eventually countered the allure of shiny objects was the question as to why I needed such an item. After all, I already possess a Pentax K10D DSLR and a Canon Powershot G11 and these have been satisfying my photographic needs for a while now. The DSLR may date from 2007 but it is still working well for me and, if it ever needed replacing, I’d be going for another Pentax with the K-5 being a strong contender. The Canon is doing what’s asked of it so the recent launching of the G1 X isn’t so tempting either.

The whole dalliance has me wondering about how photographic equipment changeovers come about. After all, it was around a decade ago with the DSLR revolution was in the offing if not in progress. Until then, film photography was predominant but it looks as if it got as far as it could from a technological point of view when I look back at what happened. The digital photography area was new and untapped so moving there offered new possibilities and purchases more easily justified. The end result is that very few film cameras are being made nowadays. Ironically, it’s film photography that now is untrammelled terrain for many and it is holding its own too in an era when digital photography predominates.

The same sort of newness that came with digital photography also applies to CSC‘s to a certain extent. From the heritage of half-frame 35 mm film photography, Olympus has fashioned a different type of digital camera: essentially a compact with interchangeable lenses. Was it the fact that I have no CSC that caused me to be tempted and has it happened to others too? Also, is that what got digital photography going in the first place?

It almost feels as if camera manufacturers have to keep bringing to market new models and new types of camera in order to stay in business. After all, Minolta had to sell its camera division to Sony when they failed to get going in the DSLR market quickly enough. The same thing might have happened to Pentax too with the marque passing to first to Hoya, and then to Ricoh after the firm lost its independence.

What doesn’t help is the lack of longevity of camera models. The coming of digital photography has exacerbated this situated with models being launched at a frenetic rate. In the days of film photography, a model could last on the market for a few years and there was once a time when a twenty year lifetime wouldn’t have looked so ridiculous though there were incremental improvements made over that time too. For instance, a Pentax K1000 wouldn’t be exactly the same at the end of its production run as it was at the start though the model number may be the same. That world is gone.

Camera types have done better with the SLR design lasting around 50 years so far. However, mirror-less camera technology is adding pressure like never before. Even compact cameras allow live TTL type viewing and Olympus dug into its film camera heritage to add an interchangeable lens mount to give us the first E-P1. The original PEN cameras were half-frame 35 mm affairs and, appropriately enough, their descendants have small sensors in the micro four thirds mould. Then, there’s Sony’s efforts with translucent mirrors that do not move like their SLR counterparts. Canon tried this in the 1980′s with film cameras but never pursued the genre. After that, there are mirror-less SLR-style cameras from Samsung and Panasonic that make you wonder if a full size equivalent is in the offing with live viewing and an electronic viewfinder. Olympus is doing a teaser advertising campaign at the moment and it has some wondering if an OM-D is in the offing.

In parallel with all this, Sony is making a good impression with their CSC’s, the NEX series. These have APS-C sized sensors like many DSLR’s and in compact bodies as well. However, the feel very much is that of a compact camera and some have complained of a like of buttons on them though the photographic quality is very good. Samsung have gone for the same sensor size in their NX-11 thought they have gone for SLR styling. That may be more suitable for some than having to find settings buried in menus.

In summary, we are in an exciting if unnerving time in camera technology at the moment. On one hand, we are seeing a great deal of miniaturisation and what formerly were still cameras can do movie making as well. The latter may not be an interest of mine and it looks like a time-consuming hobby too. A lot is in flux right now and a recent court case reminded us of the difficulties in doing original work these days with image processing in Photoshop forming the basis of a victorious copyright claim. Because the number of images that are getting created everywhere, it could be hard for some to avoid this one and that could be exacerbated if the government changes the law so that intellectual property claims can be processed in the small claims courts. That sort of thing makes film photography seem attractive and it does seem that it isn’t disappearing either, even if Kodak has its financial problems. Novelty seems to change photographic tastes and it seems that film photography is novel again. It’s a changing world and who knows where it take us. Maybe a new DSLR body might make a good purchase in case CSC’s usurp their place entirely. Photographic technology is interesting yet again.

All that was needed was a trip to a local shop

In the end, I did take the plunge and acquired a Sigma 50-200 mm f4-5.6 DC OS HSM lens to fit my ever faithful Pentax K10D. After surveying a few online retailers, I plumped for Park Cameras where the total cost, including delivery, came to something to around £125. This was around £50 less than what others were quoting for the same lens with delivery costs yet to be added. Though the price was good at Park Cameras, I was wondering still about how they could manage to do that sort of deal when others don’t. Interestingly, it appears that the original price of the lens was around £300 but that may have been at launch and prices do seem to tumble after that point in the life of many products of an electrical or electronic nature.

Unlike the last lens that I bought from them around two years ago, delivery of this item was a prompt affair with dispatch coming the day after my order and delivery on the morning after that. All in all, that’s the kind of service that I like to get. On opening the box, I was surprised to find that the lens came with a hood but without a cap. However, that was dislodged slightly from my mind when I remembered that I neglected to order a UV or skylight filter to screw into the 55 mm front of it. In the event, it was the lack of a lens cap needed sorting more than the lack of a filter. The result was that I popped in the local branch of Wildings where I found the requisite lens cap for £3.99 and asked about a filter while I was at it. Much to my satisfaction, there was a UV filter that matched my needs in stock though it was that cheap at £18.99 and was made by a company of which I hadn’t heard before, Massa. This was another example of good service when the shop attendant juggled two customers, a gentleman looking at buying a DSLR and myself. While I would not have wanted to disturb another sales interaction, I suppose that my wanting to complete a relatively quick purchase was what got me the attention while the other customer was left to look over a camera, something that I am sure he would have wanted to do anyway. After all, who wouldn’t?

With the extras acquired, I attached them to the front of the lens and carried out a short test (with the cap removed, of course). When it was pointed at an easy subject, the autofocus worked quickly and quietly. A misty hillside had the lens hunting so much that turning to manual focussing was needed a few times to work around something understandable. Like the 18-125 mm Sigma lens that I already had, the manual focussing ring is generously proportioned with a hyperfocal scale on it though some might think the action a little loose. In my experience though, it seems no worse than the 18-125 mm so I can live with it. Both lenses share something else in common in the form of the zoom lens having a stiffer action than the focus ring. However, the zoom lock of the 18-125 mm is replaced by an OS (Optical Stabilisation) one on the 50-200 mm and the latter has no macro facility either, another feature of the shorter lens though it remains one that I cannot ever remember using. In summary, first impressions are good but I plan to continue appraising it. Maybe an outing somewhere tomorrow might offer a good opportunity for using it a little more to get more of a feeling for its performance.

Sometimes, a firmware update is in order

After a recent trip to Oxford, I have started to mull over adding a longer lens (could make more distant architectural detail photos a possibility) to complement my trusty Sigma 18-125mm f/3.8-5.6 DC HSM zoom lens that now is entering approaching its third year in my hands. While I have made no decision about the acquisition of another lens, there are some tempting bargains out there, it seems. However, the real draw on my attention is the lack of autofocus with the aforementioned Sigma and I now find it hard to believe that I was blaming the manufacturer for no keeping up with Pentax when it really was the other way around. A bit of poking around on the web revealed that all that I needed to do was download a firmware update from the Pentax website. While being slowed down by the lack of autofocus cannot have done bad things for my photography, I still wonder at why I didn’t try updating the camera for as long as I have.

In the file for updating my K10D, there was a README file containing the instructions for carrying out the update with the included binary file that was set to take the camera from version 1.00 to 1.30 (hold down the Menu button while starting the camera to see what you have). In summary, both files were copied onto an SD card that was inserted into the camera and it turned off. The next step was to power up the camera with the menu button held down to start the update. To stop erroneous updates, there is an “Are you sure?” style Yes/No menu popped up before anything else happens. Selecting Yes sets things into motion and you have to wait until the word “COMPLETE” appears in the bottom left corner before turning the camera and removing the card. Now that I think of it, I should have checked the battery before doing anything because the consequences of losing power in the middle of what I was doing would have been annoying, especially with my liking the photographic results produced by the camera.

Risk taking aside, the process was worth its while with HSM now working as it should have done all this time. It seems quiet and responsive too from my limited tests to date. Even better, the autofocus doesn’t hunt anywhere near as much as the 18-55 mm Pentax kit lens that came with the camera. The next decision is whether to stick  with my manual focussing ways or lapse into trusting autofocus from now on though my better reason is to stick with the slower approach unless the subjects are fast. Now that I think of it, train and bus photos for my transport website have become a whole lot easier as have any wildlife photos that I care to capture. Speaking of the latter brings me back to that telephoto quandary that I mentioned at the beginning. Well, there’s a tempting Sigma 50-200 mm that has caught my eye…

An avalanche of innovation?

It seems that, almost in spite of the uncertain times or maybe because of them, it feels like an era of change on the technology front. Computing is the domain of many of the postings on this blog and a hell of a lot seems to be going mobile at the moment. For a good while, I managed to stay clear of the attractions of smartphones until a change of job convinced me that having a BlackBerry was a good idea. Though the small size of the thing really places limitations on the sort of web surfing experience that you can have with it, you can keep an eye on the weather, news, traffic, bus and train times so long as the website in question is built for mobile browsing. Otherwise, it’s more of a nuisance than a patchy phone network (in the U.K., T-Mobile could do better on this score as I have discovered for myself; thankfully, a merger with the Orange network is coming next month).

Speaking of mobile websites, it almost feels as if a free for all has recurred for web designers. Just when the desktop or laptop computing situation had more or less stabilised, along come a whole pile of mobile phone platforms to make things interesting again. Familiar names like Opera, Safari, Firefox and even Internet Explorer are to be found popping up on handheld devices these days along with less familiar ones like Web ‘n’ Walk or BOLT. The operating system choices vary too with iOS, Android, Symbian, Windows and others all competing for attention. It is the sort of flowering of innovation that makes one wonder if a time will come when things begin to consolidate but it doesn’t look like that at the moment.

The transformation of mobile phones into handheld computers isn’t the only big change in computing with the traditional formats of desktop and laptop PC’s being flexed in all sorts of ways. First, there’s the appearance of netbooks and I have succumbed to the idea of owning an Asus Eee. Though you realise that these are not full size laptops, it still didn’t hit me how small these were until I owned one.  They are undeniably portable and tablets look even more interesting in the aftermath of Apple’s iPad. You may call them over-sized mobile photos but the idea of making a touchscreen do the work for you has made the concept fly for many. Even so, I cannot say that I’m overly tempted though I have said that before about other things.

Another area of interest for me is photography and it is around this time of year that all sorts of innovations are revealed to the public. It’s a long way from what we thought was the digital photography revolution when digital imaging sensors started to take the place of camera film in otherwise conventional compact and SLR cameras, making the former far more versatile than they used to be. Now, we have SLD cameras from Olympus, Panasonic, Samsung and Sony that eschew the reflex mirror and prism arrangement of an SLR using digital sensor and electronic viewfinders while offering the possibility of lens interchangeability and better quality than might be expected from such small cameras. In recent months, Sony has offered SLR-style cameras with translucent mirror technology instead of the conventional mirror that is flipped out of the way when a photographic image is captured.  Change doesn’t end there with movie making capabilities being part of the toolset of many a newly launch  compact, SLD and SLR camera. The pixel race also seems to have ended though increases still happen as with the Pentax K-5 and Canon EOS 60D (both otherwise conventional offerings that have caught my eye though so much comes on the market at this time of year that waiting is better for the bank balance).

The mention of digital photography brings to mind the subject of digital image processing and Adobe Photoshop Elements 9 is just announced after Photoshop CS5 appeared earlier this year. It almost feels as if a new version of Photoshop or its consumer cousin are released every year, causing me to skip releases when I don’t see the point. Elements 6 and 8 were such versions for me and I’ll be in no hurry to upgrade to 9 yet either though the prospect of using content aware filling to eradicate unwanted objects from images is tempting. Nevertheless, that shouldn’t stop anyone trying to exclude them in the first place. In fact, I may need to reduce the overall number of images that I collect in favour of bringing away only good ones. The outstanding question on this is can I slow down and calm my eagerness to bring at least one good image away from an outing by capturing anything that seems promising at the time. Some experimentation but being a little more choosy can  save work later on.

While back on the subject of software, I’ll voyage in to the world of the web before bringing these meanderings to a close. It almost feels as if there is web-based application following web-based application these days when Twitter and Facebook nearly have become household names and cloud computing is a phrase that turns up all over the place.  In fact, the former seems to have encouraged a whole swathe of applications all of itself. Applications written using technologies well used on the web must stuff many a mobile phone app store too and that brings me full circle for it is these that put so much functionality on our handsets with Java seemingly powering those I use on my BlackBerry. Them there’s spat between Apple and Adobe regarding the former’s support for Flash.

To close this mental amble, there may be technologies that didn’t come to mind while I was pondering this piece but they doubtless enliven the technological landscape too. However, what I have described is enough to take me back more than ten years ago when desktop computing and the world of the web were a lot more nascent than is the case today. Then, the changes that were ongoing felt a little exciting now that I look back on them and it does feel as if the same sort of thing is recurring though with things like phones creating the interest in place of new developments in desktop computing such as a new version of Window (though 7 was anticipated after Vista). Web designers may complain about a lack of standardisation and they’re not wrong but this may be an ear of technological change that in time may be remembered with its own fondness too.

A tendency for overexposure?

A recent trip to Sweden saw my Canon PowerShot G11 being put to rather more use than was expected. If I had known what might have been coming my way, I may even have eschewed the principle of lightweight packing to bring along my Pentax DSLR. Nevertheless, the little Canon did what ever was asked of it when light was plentiful.

Once thing that I have noticed in comparison with the Pentax is the Canon’s tendency to overexpose a scene. To a point, this can be explained by the former having proper spot-metering and the latter having the less specific partial metering. In fact, that might explain why a Canon EOS 10D SLR in my possession has the same tendency. Maybe it’s time to make more use of the Sekonic light meter that I have but that adds bulk that doesn’t fit in with the idea of carrying a compact camera around with you.

That leaves getting more practice with exposure corrections at processing time (I do capture all my photos in raw format). Going further, I am finding that the same consideration appears to apply to image sharpening too. It’s almost as if you need to develop a feeling for the results produced by a camera before satisfaction with any acquired photos will follow. Having decent lighting at capture time and not having muck on the sensor helps too as I have discovered with the photos made used my Pentax K10D on a recent visit to Arran and Argyll. The state of the sensor needs sorting (even if it has an anti-dust system on board) but I sometimes wonder if my judgement of lighting is what it used to be or whether my aspirations have gone too high. Maybe I need to slow down a little so as to set aside time for working on getting better results and with the right light, a quantity that should come with autumn and winter. In the meantime, I’ll stick with making the best of the British summer.

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